Jackson Browne is one of the most prolific singer-songwriters in modern music. He talks to Marc about how a lot of his aptitude comes from his enjoyment of being a solitary player. But that doesn’t mean Jackson doesn’t have stories about his career collaborations. He does, going back to Nico and the
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Rembert Browne is a staff writer at Grantland.
“I’m ok with not being at my most refined online at all times. It’s happening in real time and some of that is therapeutic. I could write a lot this stuff privately, but I’d rather just hit publish and see what happens. It’s a weird world. But I’m super deep in.”
Thanks to this week’s sponsors: TinyLetter, Trunk Club, and QuickBooks Self-Employed.
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Benches in parks, train stations, bus shelters and other public places are meant to offer seating, but only for a limited duration. Many elements of such seats are subtly or overtly restrictive. Arm rests, for instance, indeed provide spaces to rest arms, but they also prevent people from lying down or sitting in anything but a prescribed position. This type of design strategy is sometimes classified as "hostile architecture," or simply: "unpleasant design."
Gordan Savičić and Selena Savić, co-editors of the book Unpleasant Design, are quick to point out that unpleasant designs are not failed designs, but rather successful ones in the sense that they deter certain activities by design.
Original video: https://soundcloud.com/roman-mars/219-unpleasant-design
Downloaded by http://huffduff-video.snarfed.org/
Katie Nolan chats with Rembert Browne about SXSW (2:00 mark), why Rem misses Richard Deitsch and Deadspin (8:05), Katie’s Ryan Cabrera moment in Austin (11:50), MTV’s Laguna Beach (16:35), the first time Katie and Rem met at lunch with Bill Simmons (18:30), how he got hired at Grantland (21:15), what it was like working there and why the site worked (28:35), the Grantland/ESPN relationship (34:20), how he feels about the end of Grantland (37:00), his new job at NY Mag (38:05), and flying on Air Force One (43:05).
Original video: https://soundcloud.com/garbagetimepodcast/pod-26-rembert-browne
Downloaded by http://huffduff-video.snarfed.org/
Thanks for all the possible love on the Rémi Gallego episode. Here’s another one for ya.
This time i got John Browne infront of his microphone in the northern mist of the land they call England.
We talk about how "Djent" got made and why, about all the things he did, does and some of the stuff he will be doing, how air gets taxed by bad people, all sorts of bandstuff, internet haters, downsides of touring, upsides of good stuff. Basically a lot of stuff.
Bandsculptor http://bit.ly/Bandsculptor Browne on Youtube http://bit.ly/JohnBrowneYT Monuments Facebook http://bit.ly/MonumentsFB Flux Conduct Facebook http://bit.ly/FLuxConductFB Tony Danza 3 https://www.youtube.com/watch?v=H2m1kMQLcBA&t=1s Early Fellsilent Music https://www.youtube.com/watch?v=XE71r5pohfA
Original video: https://soundcloud.com/user-191407916/episode-2-ii-john-browne
Downloaded by http://huffduff-video.snarfed.org/ on Sat, 15 Jul 2017 20:35:40 GMT Available for 30 days after download
What should we do with unpleasant circumstances? Paul says we’re to respond in a way that is totally opposite to human nature. We are to face them obediently,willingly, sincerely, eagerly, diligently, readily, and with cheerfulness. It’s amazing what can happen when we change our perspective.
Episode 66 of the Sports Illustrated Media podcast features New York Magazine writer-at-large Rembert Browne, who previously spent four years as a staff writer at Grantland.
In this episode, Browne discusses how he finds his stories, why he believes ESPN folded Grantland, how he came to interview Barack Obama on Air Force One, the joys and pains of being an Atlanta Hawks fan, his plans for covering the upcoming Republican convention in Cleveland, how Bill Simmons acted as a boss, why he’s not currently working for The Ringer, how you find your voice in writing, his thoughts on why ESPN founded The Undefeated, his attempt to write for 500 straight days, and much more.
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