rudigermeyer / tags / radio-happenings

Tagged with “radio-happenings” (4)

  1. John Cage / Morton Feldman: Radio Happenings IV Recorded at WBAI, New York City, July 1966 - January 1967

    John Cage and Morton Feldman recorded four open-ended conversations at the studios of radio station WBAI in New York. These meetings spanned six months between July 1966 and January 1967, and were produced as five "Radio Happenings". Both were at transitional points in their music. Cage had completed Variations V in 1965 and Variations VI and VII in 1966, and would publish "A Year from Monday" in 1967. Most of Feldman’s important work was yet to come. These conversations between two old friends, relaxed, smoking, and throwing out ideas, are full of laughter and long ponderous silences. They form an incredible historical record of their concerns and preoccupations with making music, art, society, and politics of the moment.

    In 1993 these conversations were transcribed and published as "Radio Happenings I-V" by Edition MusikTexte in Cologne, Germany, with a German translation and a preface by Christian Wolff. However, the printed page loses so much that can only be experienced by hearing these two speaking together again - even those long, meaningful silences.

    http://preparedguitar.blogspot.com.es/2015/09/john-cage-and-morton-feldman-in.html

    —Huffduffed by rudigermeyer

  2. John Cage / Morton Feldman: Radio Happenings III Recorded at WBAI, New York City, July 1966 - January 1967

    John Cage and Morton Feldman recorded four open-ended conversations at the studios of radio station WBAI in New York. These meetings spanned six months between July 1966 and January 1967, and were produced as five "Radio Happenings". Both were at transitional points in their music. Cage had completed Variations V in 1965 and Variations VI and VII in 1966, and would publish "A Year from Monday" in 1967. Most of Feldman’s important work was yet to come. These conversations between two old friends, relaxed, smoking, and throwing out ideas, are full of laughter and long ponderous silences. They form an incredible historical record of their concerns and preoccupations with making music, art, society, and politics of the moment.

    In 1993 these conversations were transcribed and published as "Radio Happenings I-V" by Edition MusikTexte in Cologne, Germany, with a German translation and a preface by Christian Wolff. However, the printed page loses so much that can only be experienced by hearing these two speaking together again - even those long, meaningful silences.

    http://preparedguitar.blogspot.com.es/2015/09/john-cage-and-morton-feldman-in.html

    —Huffduffed by rudigermeyer

  3. John Cage / Morton Feldman: Radio Happenings – I, Recorded at WBAI, New York City, July 1966 - January 1967

    John Cage and Morton Feldman recorded four open-ended conversations at the studios of radio station WBAI in New York. These meetings spanned six months between July 1966 and January 1967, and were produced as five "Radio Happenings". Both were at transitional points in their music. Cage had completed Variations V in 1965 and Variations VI and VII in 1966, and would publish "A Year from Monday" in 1967. Most of Feldman’s important work was yet to come. These conversations between two old friends, relaxed, smoking, and throwing out ideas, are full of laughter and long ponderous silences. They form an incredible historical record of their concerns and preoccupations with making music, art, society, and politics of the moment. John Cage and Morton Feldman recorded four open-ended conversations at the studios of radio station WBAI in New York. These meetings spanned six months between July 1966 and January 1967, and were produced as five "Radio Happenings". Both were at transitional points in their music. Cage had completed Variations V in 1965 and Variations VI and VII in 1966, and would publish "A Year from Monday" in 1967. Most of Feldman’s important work was yet to come. These conversations between two old friends, relaxed, smoking, and throwing out ideas, are full of laughter and long ponderous silences. They form an incredible historical record of their concerns and preoccupations with making music, art, society, and politics of the moment.

    In 1993 these conversations were transcribed and published as "Radio Happenings I-V" by Edition MusikTexte in Cologne, Germany, with a German translation and a preface by Christian Wolff. However, the printed page loses so much that can only be experienced by hearing these two speaking together again - even those long, meaningful silences.

    I: July 9 1966 On intrusions - is it reality or culture? The role of the artist - deep in thought. Is it possible to avoid the environment around us? Being constantly interrupted? Larry Rivers, Bob Rauschenberg, Franz Kline, Schoenberg, Stockhausen, Boulez, Black Mountain College. On boredom and Zen, Buckminster Fuller.

    http://preparedguitar.blogspot.com.es/2015/09/john-cage-and-morton-feldman-in.html

    —Huffduffed by rudigermeyer

  4. John Cage / Morton Feldman: Radio Happenings – II, Recorded at WBAI, New York City, July 1966 - January 1967

    John Cage and Morton Feldman recorded four open-ended conversations at the studios of radio station WBAI in New York. These meetings spanned six months between July 1966 and January 1967, and were produced as five "Radio Happenings". Both were at transitional points in their music. Cage had completed Variations V in 1965 and Variations VI and VII in 1966, and would publish "A Year from Monday" in 1967. Most of Feldman’s important work was yet to come. These conversations between two old friends, relaxed, smoking, and throwing out ideas, are full of laughter and long ponderous silences. They form an incredible historical record of their concerns and preoccupations with making music, art, society, and politics of the moment.

    In 1993 these conversations were transcribed and published as "Radio Happenings I-V" by Edition MusikTexte in Cologne, Germany, with a German translation and a preface by Christian Wolff. However, the printed page loses so much that can only be experienced by hearing these two speaking together again - even those long, meaningful silences.

    II: July 1966 Governments, modern music, freedom from being known. Writing for large or small ensembles. Boulez and Stockhausen’s reactions. Writing for Christian Wolff and electric guitar. de Kooning. Lukas Foss. Cage comments on Feldman’s soft sounds. Having stamina to make an action. On working alone. Working "at home". Being asocial and the telephone. Edgard Varese. The question of death.

    http://preparedguitar.blogspot.com.es/2015/09/john-cage-and-morton-feldman-in.html

    —Huffduffed by rudigermeyer