Mark Zuckerberg, the Facebook chief executive, began two days of marathon hearings in Washington, answering tough questions on the company’s mishandling of data. But the hours of testimony about the social media company’s practices seemed to focus on a larger, more difficult question: What is Facebook, exactly? Guest: Kevin Roose, who writes about technology for The New York Times. For more information on today’s episode, visit https://nytimes.com/thedaily.
Producer Conor Garrett is there to find out. As they cross the Irish border and over each county boundary, Conor is becoming increasingly concerned he may not have a good enough story for his radio programme. It’s a problem further complicated by the fact Bill won’t talk about his chart-topping ’90s pop band who once famously set fire to a very large pile of their own cash. Then, when a narrative arc does eventually develop, Conor can’t be sure how authentic it is. And what’s all this stuff about eels?
BBC Front Row podcast, broadcast Monday 9 May 2016, including music critic Pete Paphides reviewing A Moon Shaped Pool, the new album from Radiohead and the group’s first since 2011’s The King of Limbs.
Who’s your boss? Peter Day asks how three companies, without managers, do business.
It begins to look as if we might have been wrong. All those predictions driving us forward throughout history have brought us finally to the unexpected realisation that the future is, suddenly, no longer what it used to be. Oops.
James Burke is a living legend. Or, as he put it, “No-one under the age of fifty has heard of me and everyone over the age of fifty thinks I’m dead.”
He is a science historian, an author, and a television presenter. But calling James Burke a television presenter is like calling Mozart a busker. His 1978 series Connections and his 1985 series The Day The Universe Changed remain unparalleled pieces of television brilliance covering the history of science and technology.
Before making those astounding shows, he worked on Tomorrow’s World and went on to become the BBC’s chief reporter on the Apollo Moon missions.
His books include The Pinball Effect, The Knowledge Web, Twin Tracks and Circles.
Are we being seduced by the animation and rich UI capabilities of modern browsers at the expense of the underlying platform of the Web?
We’ll explore this by looking at what the Web was, is now, and might become. We’ll look at examples of exciting user interfaces and sophisticated interactions. We’ll also examine some emerging techniques for providing rich user interactions without hurting the web or killing kittens.
Phil Hawksworth, Technical Director, R/GA
After several years working on web applications and consulting on web best practices at technology companies such as Verisign, VMware and BT, Phil made the move into the agency world where he managed development teams and architected solutions on projects for clients including of eBay, Sony and BP.
Phil Hawksworth is a Technical Director at R/GA and enjoys talking about himself in the third person.
Mike Daisey was a self-described "worshipper in the cult of Mac." Then he saw some photos from a new iPhone, taken by workers at the factory where it was made. Mike wondered: Who makes all my crap? He traveled to China to find out.
Zynga, the company behind popular Facebook games such as Farmville and Cityville, is expected to have its initial public offering before the end of the year. Zynga is a phenomenon. More than 200 million people play its games each month. One person who doesn’t feel Zynga’s success is cause for celebration is video game designer Ian Bogost. Bogost thinks Zynga’s games are mindless, designed to suck money out of players’ pockets. To make his point he created a parody game of his own. As On the Media’s P.J. Vogt reports, what Bogost didn’t expect is that his satire would become one of the most popular games he’s ever made.
Audio from Phil Hawksworth’s talk at Full Frontal 2011: Excessive Enhancement - Are we taking proper care of The Web?
Melvyn Bragg and his guests discuss Daniel Defoe’s novel Robinson Crusoe. Published in 1719, it was an immediate success and is considered the classic adventure story - the sailor stranded on a desert island who learns to tame the environment and the native population. Robinson Crusoe has been interpreted in myriad ways, from colonial fable to religious instruction manual to capitalist tract, yet it is perhaps best known today as a children’s story. Melvyn Bragg is joined by Karen O’Brien, Pro-Vice Chancellor for Education at the University of Birmingham; Judith Hawley, Professor of Eighteenth-Century Literature at Royal Holloway, University of London and Bob Owens, Emeritus Professor of English Literature at the Open University.
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