Jim talks to Curtis Yarvin about his recent article, "2020, the year of everything fake": presentism, history, COVID-19 response failures…
Tagged with “show” (19)
A Show For ChristmasIn the winter of 1998 I was in my early twenties, living alone in London, and just beginning to get paid work as a comedian. I had spent, maybe a year, performing for food, evading train fares and surviving largely on the kindness of my parents. So, to me, for a while the Christmas party season seemed absolutely incredible. Come December, the bigger comedy clubs in London (block booked by office parties and charging maybe three times the usual admission) would pay comedians double the customary weekend rate and the gigs - drunken, messy, giddyingly lucrative - ran all week for the entire month - sometimes twice a night. At that time, my then agent booked what was a rowdy, demanding club in Shoreditch and I found myself fast tracked with unwarranted velocity to the role of compere. I could not believe my luck - back then, twenty two years old, desperate to get better, stage time was all I wanted, and this particular type of stage time - high status crowd control, the management of rowdy rooms rammed with volatile, conflicting energy and the intermittent dodging of cracker toys, thrown by an office manager - felt like an utterly exhilarating place to be. I felt like I was being toughened by it, like I was getting harder and faster and better and that somehow, something important was being forged in that cold fire of drunken disinterest. And maybe it was. I don’t know. But over time, over years, I found it harder and harder to find glory in the battle. I took less and less pleasure in the collective drunken lunacy, the parade of paper hats, the bulk bought crackers and in wrangling this orgy of cunts to cheer at the right time. I could feel my delight dwindling, overcome with a burgeoning disdain for everyone involved, myself included. I was just starting to build an audience of my own and I didn’t want them to come there and see me like that. I didn’t want to be there, being like that. So I stopped. Now, this show isn’t actually about any of that but it serves to explain my surprise when, in late spring of 2014, Shelley from Battersea Arts Centre asked if I wanted to make a Christmas Show and I found myself thinking: - Yes, oddly, I really do.So i did. I wrote a story about possibility and magic and grief and hope and tradition and toffees. Which is to say, Christmas. Basically. I performed the show in the Grand Hall of Battersea Arts Centre for five nights in December of 2014. Then at the Connelly Theater in the East Village of New York City for two weeks in December of 2015. Then on a UK tour in December of 2017 - it’s the only old show of mine, that i like returning to and, to be honest I sometimes daydream about turning it into a film or something like that. Anyway. This year, this Christmas, is obviously what it is and i’ve decided to do this - it’s a relatively ramshackle audio recording, that i’ve cobbled together on the 23rd of December, in my house. I’ll leave it here for you to listen to whenever and as often as you like until the first of January - then i’ll take it down until next year, like the decorations. I know some of you might be irritated by the interface and it may have been more straightforward for you to listen to if i’d done it as a podcast or something like that. But, i don’t want it to be “out there” I just want it “in here”, as a fleeting little treat in the middle of a shitty winter. So, with that in mind, please don’t download it.I don’t think you should be able to, unless you’re very sneaky, but It’s quite likely I’ll do something approaching a proper release of this show at some point in the future and also, i’d like to be able to keep touring it and staging it in the years to come when we can be in the same room at the same time. I’ve put the music on the end that
would play as the audience left the theatre which is:I believe in Father Christmas - Greg LakeInto My Arms - Nick CaveOn the Road Again - Willie NelsonReligious Songs - Withered HandYou’ve Made Me So Very Happy - Blood Sweat and Tears. It also features Isy Suttie being absolutely brilliant and i couldn’t really have made this show or continued to like it as much as i do without her living round the corner and being brilliant. So there you go - here it is, it lasts about 90 minutes. (not including the music at the end)
The Talk Show
‘Our Name Is Our Address’, With Special Guest Jason Kottke
Saturday, 24 March 2018
Finally. Jason Kottke is on the show to talk about 20 years of writing his eponymous website.
Techmeme Ride Home: New daily podcast hosted by Brian McCullough summarizing the day’s tech news.
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Dean Allen: “How to Make Soup”
Kottke on Dean Allen.
Yours truly on Dean Allen.
Craig Mod’s “On Margins” podcast.
Kottke’s 9/11 coverage.
This episode of The Talk Show was edited by Caleb Sexton.
We’re talking with two content strategy experts, Ellen de Vries and Robert Mills/
The Talk Show
‘You Tell Me If It’s a Dongle’, With Special Guest Joanna Stern
Saturday, 30 September 2017
Special guest Joanna Stern returns to the show. Topics include Apple Watch Series 3, our mutual fear of heights, Velcro, and more.
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Don’t Call It Velcro
Joanna’s Apple Watch Series 3 review
Tiny MacBook Air
John’s customized suitcase from Joanna.
This episode of The Talk Show was edited by Caleb Sexton.
They said it wouldn’t happen! One of the ideas from the show has finally been followed up! This week, we found out about Russell & Matt’s heritage and it got a little competetive. Simon Amstell was on too, chatting about his (and Russell’s) new book!
This week on the Boagworld Show we are joined by Vitaly Friedman to discuss the passion and enthusiasm at the heart of the web community.
Sarah Parmenter (@sazzy) and Jeffrey Zeldman discuss social media, the truth about Facebook Likes, growing your design business, getting bigger clients, sucking the joy out of web design, how the industry is changing, hair care for manly men, and more.
Comedian Marc Maron is tackling the most complex philosophical question of our day - WTF? He’ll get to the bottom of it with help from comedian friends, celebrity guests and the voices in his own head. You loved him on Morning Sedition. You kinda liked him on The Marc Maron Show. You tolerated him on Break Room Live. Now, embrace him on a show from which he cannot be fired - WTF with Marc Maron.
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