The titans of Silicon Valley have a grand vision of the future. But they have a tendency to miss the downside of their inventions — think cybercrime and online harassment.
Tagged with “npr” (346)
The Father Of The Internet Sees His Invention Reflected Back Through A ‘Black Mirror’ : All Tech Considered : NPR
What makes a great cover song?
Is it a total reimagining, like Devo singing “Satisfaction,” Ike and Tina Turner taking on “Proud Mary” or Jimi Hendrix playing “All Along The Watchtower?”
Is it a performance that brings a new energy or feeling to the original, like Earth, Wind and Fire’s “Got To Get You Into My Life” or Jeff Buckley’s “Hallelujah?”
Or can a covering artist bring a weight to a song that makes it feel all their own, like Johnny Cash singing “Hurt?”
The answer is yes.
While taking on another artist’s hit can seem like an easy way to please fans, it can also be a risk. Covering a song invites a comparison to the original. When done right, it’s a beautiful tribute that can become a hit all its own. When done wrong, it can be the pop equivalent of dancing on a grave.
Turn up your headphones and get ready for a music-filled examination of the art and craft of the cover.
The Internet was built by idealists who believed that greater access to information would inevitably lead to better outcomes for humanity. Jaron Lanier was one of those utopians, a pioneering inventor of virtual reality. But Lanier calls the Web as it has evolved a “giant manipulation service,” and he fears that virtual reality, the next frontier of tech innovation, could absorb the misogyny of gamer culture. Nicholas Thompson, the editor of newyorker.com, asks Lanier if there’s a way to do things better.
Seeds on Ice author Cary Fowler describes the underground tunnel near the North Pole, which stores and protects a collection of 933,000 samples of different, unique crop varieties.
Last November, journalist Morgen Peck showed up at her friend Molly Webster’s apartment in Brooklyn, told her to take her battery out of her phone, and began to tell her about The Ceremony, a moment last fall when a group of, well, let’s just call them wizards, came together in an undisclosed location to launch a new currency. It’s an undertaking that involves some of the most elaborate security and cryptography ever done (so we’ve been told). And math. Lots of math. It was all going great until, in the middle of it, something started to behave a little…strangely.
Time plays such a big part in our lives, it’s no wonder we’re fascinated by the idea of escaping it. And what better way to escape it that to travel back into the past or forward into the future? This hour, we explore our obsession with time travel. Why is such a recurring them in movies and TV shows? And what can time travel teach us about ourselves?
Why Remix ‘Sgt. Pepper’s’? Giles Martin, The Man Behind The Project, Explains : All Songs Considered : NPR
Why would anyone remix one of the most important and influential albums of all time? Giles Martin explains how and why he did it for Sgt. Pepper’s Lonely Hearts Club Band.
President Richard Nixon once boasted that at any moment he could pick up a telephone and - in 20 minutes - kill 60 million people. Such is the power of the US President over the nation’s nuclear arsenal. But what if you were the military officer on the receiving end of that phone call? Could you refuse the order?
This episode, we profile one Air Force Major who asked that question back in the 1970s and learn how the very act of asking it was so dangerous it derailed his career. We also pick up the question ourselves and pose it to veterans both high and low on the nuclear chain of command. Their responses reveal once and for all whether there are any legal checks and balances between us and a phone call for Armageddon.
When the perfect woman started writing Jesse letters, it seemed too good to be true. Because it was. This week, a story about a con, and why sometimes we prefer a lie to the truth.
Since the election, Bob’s been experiencing some despair. How can he move forward when the future looks so bleak? In an effort to shake him out of this state, we decided he should speak with Rebecca Solnit, author of Hope in the Dark: Untold Histories, Wild Possibilities. Solnit reminds us that the future is unknowable — and that’s a good thing. Why? Because it creates space for creative intervention. She is impatient with despair, not only because it paralyzes political action, but because the lessons of history teach us that change happens in unexpected and often non-linear ways.
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