An audio performance of the original 1978 RAIDERS STORY CONFERENCE, from the transcript with George Lucas, Steven Spielberg and Lawrence Kasdan.
Tagged with “screenplay” (6)
In this episode of the Selling Your Screenplay Podcast, I interview screenwriter and founder of the BlueCat Screenplay Competition Gordy Hoffman. Gordy’s screenplay Love Liza won the Waldo Salt Screenwriting Award at Sundance in 2002. He talks about his career, transitioning into being a director, and he offers some great tips and inspiration for screenwriters at all levels of their careers.
Billy Ray, screenwriter, director. Billy Ray is the screenwriter of “Captain Phillips.” He also wrote and directed the films “Shattered Glass” and “Breach”, and co-wrote the screenplay for “The Hunger Games”. Billy began writing for movies and television at the age of 19. He sold his first script, an episode of “The Jetsons” in 1984. He has written numerous feature films and was one of the creators and writers of the science fiction show "Earth 2". Since 2009, he’s been a member of the Writers’ Guild of America’s Board of Directors. He was nominated by the Chicago Film Critics Association for Most Promising Filmmaker and he also was nominated for an Independent Spirit Award for Best Screenplay for his work on "Shattered Glass" his story about a reporter who invented his stories. Stay tuned to Rex Sikes Movie Beat for other great archived interviews, cast and crew listings, events, festivals, premieres, and more at rexsikes.com
“How do I get an agent and/or manager?”
It’s an intractable question because while most working screenwriters have representation, no two of them got it the same way. If you ask a panel of writers, you’ll hear a series of anecdotes, but you won’t get a better sense of what next steps you should take.
Ever since the first Toy Story came out and brought us all to tears, screenwriters around the world have wondered what happens in the secretive Pixar writing room.
ScreenwritingU brings you the inside story to what really happens behind closed doors when writers get to create a movie for Pixar with our one-on-one podcast interview with Brave screenwriter Mark Andrews.
Brave tells the story a Scottish princess who doesn’t want to go through the process of having an arranged marriage. But oh, do her parents have a different idea. When the princess finds a magical out to her big dilemma, things start to get very odd in Scotland.
Screenwriter Mark Andrews, who showed up for the premiere Monday wearing a kilt, is just the man to write and direct this kind of story. He knows there’s no such thing as magic. It’s all about hard work.
“I call the story process alchemy,” says the long time Pixar employee who has worked on titles such a The Incredibles, Cars and Ratatouille. Many consider him to be Pixar bigwig Brad Bird’s “right-hand-man.”
“We’re trying to turn lead into gold,” Andrews says of the process of writing. That’s not too tough when you have a room full of Pixar writers, right?
Believe it or not, it’s tough for them, too. The writers usually sit around a big table, which Andrews describes as “chaotic,” arguing and improving scenes as ideas come to them. “Especially with these original tales, it’s hard to do because you’re doing it from scratch,” Andrews explains of the grueling process of designing a story that moves the audience emotionally but is fun and fast, too.
So, what’s the secret then? How does Pixar leap over those hurdles producing successful stories time and time again? “We go into it intellectually,” Andrews says. “But we come out of it using our guts.” So, there is no science. Not really.
You just have a use a little magic, which according to Andrews, comes from inside.
Andrews screenwriting credit list includes John Carter, Samurai Jack and Star Wars: Clone Wars. Andrews was nominated for an Oscar for Best Animated Short Film in 2006. Brave releases in theaters Friday, June 22.
Chris Soth lectures on "What is a logline?" or what makes a successful logline. Worth a listen.