Cultural critic Virginia Heffernan joins the show to talk about her new book, Magic and Loss: The Internet as Art (Simon & Schuster)! We talk about what’s behind the screen, why the internet is bigger than the Industrial Revolution, her first experience online in 1979, what it’s like to be in a piece of performance art with half the world’s population, her crushing defeat at meeting Joan Didion, why she’s nostalgic for landline phones, the motive motive of Pokemon Go, asking The New York Times to host a shred-guitar competition, and why there’s value in Reading The Comments!
Tagged with “art” (19)
Listen to “The Lady Vanishes” Episode 1 of The Revisionist History Podcast with Malcolm Gladwell.
In the late 19th century, a painting by a virtually unknown artist took England by storm: The Roll Call. But after that brilliant first effort, the artist all but disappeared. Why?
The Lady Vanishes explores the world of art and politics to examines the strange phenomenon of the “token”—the outsider whose success serves not to alleviate discrimination but perpetuate it. If a country elects a female president, does that mean the door is now open for all women to follow? Or does that simply give the status quo the justification to close the door again?
Sound artist Honor Harger spent the last few years listening to the stars and recording some of the sounds of space.
Find out more at: http://re-publica.de/session/living-electromagnetic-spectrum
Artist and writer James Bridle explores how politics is manifested in technology, and how the the things we build shape the world in unexpected ways. In particular, he will detail the ways in which networks and communications affect notions of citizenship in the 21st Century, as explored in his recent art works and writings.
James Bridle http://booktwo.org/
Creative Commons Attribution-ShareAlike 3.0 Germany (CC BY-SA 3.0 DE)
Paola Antonelli explores the politics in art and design.
From video games to the iconic ‘@" symbol to the original Arduino board, MoMA’s design curator Paolo Antonelli sees beauty, form and function — all the elements of art and design.
James Bridle & Libby Heaney @RCAIED 30 Oct 2014
Cities, like living things, evolve slowly over time. Buildings and structures get added and renovated and removed, and in this process, bits and pieces that get left behind. Vestiges. Just as humans have tailbones and whales have pelvic bones, cities have doors that open into a limb-breaking drop, segments of fences that anyone can walk around, and pipes that carry nothing at all.
Most of the time, these architectural leftovers rust or crumble or get taken down. But other times, these vestiges aren’t removed. They remain in the urban organism. And sometimes—even though they no longer serve any discernible purpose—they’re actually maintained. They get cleaned and polished and re-painted just because they’re there.
In 1990, the federal government invited a group of geologists, linguists, astrophysicists, architects, artists, and writers to the New Mexico desert, to visit the Waste Isolation Pilot Plant. They would be there on assignment.
The Waste Isolation Pilot Plant (WIPP) is the nation’s only permanent underground repository for nuclear waste. Radioactive byproducts from nuclear weapons manufacturing and nuclear power plants. WIPP was designed not only to handle a waste stream of various forms of nuclear sludge, but also more mundane things that interacted with radioactive materials, such as tools and gloves.
WIPP, which is located deep in the New Mexico desert, was designed to store all of this radioactive material and keep us all safe from it.
Eventually, WIPP will be sealed up and left alone. Years will pass and those years will become decades. Those decades will become centuries and those centuries will roll into millennia. People above ground will come and go. Cultures will rise and fall. And all the while, below the surface, that cave full of waste will get smaller and smaller, until the salt swallows up all those oil drums and entombs them. Then, all the old radioactive gloves and tools and little bits from bombs –all still radioactive– will be solidified in the earth’s crust for more than 200,000 years. Basically forever.
Has how we approach web design become too formulaic and rote? Are we missing the opportunity to truly communicate a site’s purpose and meaning? What about web design have we lost, or maybe haven’t yet found? How can we understand our work as designers whe
Page 1 of 2Older