Sci-fi and fantasy stories "can short-circuit our assumptions about the world around us," says author Ann Leckie.
Tagged with “writing” (7)
In his debut novel The Windup Girl, science fiction writer Paolo Bacigalupi explored a world ravaged by climate change and energy scarcity — and won both the Hugo and the Nebula awards while he was at it.
Though his dystopian future might not seem like the best place for kids, he followed up with two books for young adults: Ship Breaker and The Drowned Cities. Set in the same universe as The Windup Girl, they are gripping adventure tales about kids doing what it takes to survive in a world where the odds are always stacked against them.
In this episode of the Storyboard podcast, Bacigalupi talks to Wired senior editor Adam Rogers about the appeal of YA fiction, life in the “Accelerated Age” and writing political novels that don’t feel like polemics. There is a brief moment of mature language.
If anyone tries to tell you that science fiction isn’t literary, please point them to the work of Charles Yu. His debut novel, How to Live Safely in a Science Fictional Universe, used the conventions of sci-fi to tell the deeply emotional story of a time-travel technician searching for his missing father.
His latest genre-bending effort is Sorry Please Thank You, a short-story collection in which people outsource their bad days and zombies go on dates.
In this episode of the Storyboard podcast, Yu talks to Wired senior editor Adam Rogers about making metaphors literal, how sci-fi tropes let him explore the inner lives of his characters, and his particular brand of futuristic ennui.
In this Meanland lecture, Cory Doctorow discusses how writers can seize the possibilities of the digital future.
The internet and digital technology is challenging traditional notions of copyright, but many authors are finding new and innovative ways to circulate their work — and to make a living while doing so. Acclaimed SF writer, blogger and commentator Cory Doctorow looks at the perils and opportunities of this brave new world.
Science fiction is the marmite of literature – people tend to love it or hate it. Yet no one could deny that it has produced many of the great myths of our age, from Frankenstein’s monster to William Gibson’s cyber-reality.
SF blogger Damien Walter joins our panellists to discuss where it is now, and why we should all tune in to a genre that can be satirical, prophetic, political and plain good fun, often all at the same time. He also outlines some of the titles to look out for in 2010.
We also look at John Wyndham’s previously unpublished novel, Plan for Chaos, and interview China Miéville, rising star of the "new weird".