The Arcade: Episode 44, Featuring William Gibson
Tagged with “future” (3)
Inventing the next twenty years, strategic foresight, fictional futurism and English rural magic: Warren Ellis attempts to convince you that they are all pretty much the same thing, and why it was very important that some people used to stalk around village hedgerows at night wearing iron goggles.
Warren Ellis is a writer. He is not the violinist in the Bad Seeds.
Some of the things he has written have pictures in them, like Transmetropolitan, Planetary, and The Authority. Some of the things he has written are constructed entirely from words, like Crooked Little Vein and the best-selling Gun Machine.
Gun Machine is currently being developed for television. His book Red was adapted for the big screen in 2010. We shan’t hold it against him.
You can find him on Twitter, on Tumblr, on This Is My Jam, and you used to be able to find him in Second Life, but most importantly, he has his own website because he’s down with the Indie Web.
For all of the Internet era, and even before, novelist William Gibson has been the ultimate science fiction guru of the age. He invented the notion – the word – “cyberspace” before the Web even existed. He took us to dystopic futures that became nows in “Neuromancer,” “Burning Chrome,” and “Virtual Light.”
Now, when whole lives – or big pieces – have migrated to the Web and beyond, Gibson is beyond as well. He’s watching the culture from new angles. We speak with Gibson about his latest novel, “Zero History,” and where our world – and his – stand now.