The web is being compared to "native" a lot these days, with some even declaring the web dead. But what are the strengths web? What does it do that native can't touch? What is it we are making when we are creating something of the web? Jeremy Keith joins Jen Simmons to articulate how to understand and appreciate the web.
Tagged with “publishing” (4)
Last week was Jeffrey Zeldman’s website’s 20th birthday, so this week he joins me and Jeremy Keith on Unfinished Business 110 to talk about the anniversary. We start by discussing Jeremy’s 100 words for 100 days writing project and how it’s inspired me to change the way that I think about writing on our blog and posting to our portfolio. We talk about the importance of writing for yourself as well as for others and why writing on your own website is important. With it being the twentieth anniversary of Jeffrey’s own site, we also talk about whether it’s important to archive older designs for posterity.
A discussion of creation myths, internalized histories, ”production functions”, and the uncomfortable proposition that everything new is samizdat again.
Aaron Straup Cope is from Montréal but these days you can find him in New York, where he works at the Smithsonian’s Cooper Hewitt Design Musuem.
Before that, he was living in San Francisco and working with Stamen Design. And before that, he was working on Flickr …before it all went to hell in a handbasket. At each of these places, Aaron has left a trail of machine tags and maps in his wake.
I remember waaaaay back, before any of those young upstarts, when Aaron worked on the Mirror Project at the turn of the century. The fact that the Mirror Project is still up and running after all this time is testament to Aaron’s interest—nay, obsession—with personal archives …although his particular penchant is for the more personal kind, like Parallel Flickr and Privatesquare.
Aaron has a love and a knowledge of food that is truly awe-inspiring. But that’s not the (only) reason I’ve asked him to speak at dConstruct. He’s speaking at this year’s dConstruct because I don’t see why the Museums and the Web conference should have him all to themselves.
And if you aren’t yet convinced of his bona fides, you should know that Aaron Straup Cope is one of the Directors of Revolving Technologies at the Spinny Bar Historical Society.