How computers and digital technology affect our lives around the world.
Click investigates triumphs and pitfalls of the digital age at the dConstruct conference.
There are no people in fordie’s collective.
How computers and digital technology affect our lives around the world.
Click investigates triumphs and pitfalls of the digital age at the dConstruct conference.
Tagged with bbc click dconstruct dconstruct2014 conference brighton
Stephen Hay speaking at the second Responsive Day Out in Brighton on June 27th.
The Responsive Day Out is an affordable, enjoyable gathering of UK designers and developers sharing their workflow strategies, techniques, and experiences with responsive web design.
Dan Donald speaking at the second Responsive Day Out in Brighton on June 27th.
The Responsive Day Out is an affordable, enjoyable gathering of UK designers and developers sharing their workflow strategies, techniques, and experiences with responsive web design.
Ida Aalen speaking at the second Responsive Day Out in Brighton on June 27th.
The Responsive Day Out is an affordable, enjoyable gathering of UK designers and developers sharing their workflow strategies, techniques, and experiences with responsive web design.
Inventing the next twenty years, strategic foresight, fictional futurism and English rural magic: Warren Ellis attempts to convince you that they are all pretty much the same thing, and why it was very important that some people used to stalk around village hedgerows at night wearing iron goggles.
http://2014.dconstruct.org/conference/warrenellis/
Warren Ellis is a writer. He is not the violinist in the Bad Seeds.
Some of the things he has written have pictures in them, like Transmetropolitan, Planetary, and The Authority. Some of the things he has written are constructed entirely from words, like Crooked Little Vein and the best-selling Gun Machine.
Gun Machine is currently being developed for television. His book Red was adapted for the big screen in 2010. We shan’t hold it against him.
You can find him on Twitter, on Tumblr, on This Is My Jam, and you used to be able to find him in Second Life, but most importantly, he has his own website because he’s down with the Indie Web.
A careen through grassroots innovation, speculative design, supply chains and sexual healthcare provision, lashing down over-caffeinated flailing into the grit of socio-technical systems.
http://2014.dconstruct.org/conference/georginavoss/
Georgina Voss is a writer and researcher working on the interplay of technology, politics and culture. She sometimes writes for The Guardian, and she’s currently in residence at the lovely Lighthouse Arts right here in Brighton working on a design fiction project that asks “what could digital fabrication and hyper-local manufacturing offer to the provision of sexual healthcare?”
She also holds a doctorate from Sussex Uni, so that’s Doctor Georgina Voss to you.
George has a knack for exposing the networks underlying the most normal-seeming activities. Usually “logistics” isn’t a word that conjures up much excitement, but George can make you look at shipping containers in a whole new light.
Oh, and she also hosts a great podcast called Gin and Innovation which has featured dConstruct alumni Dan Williams and James Bridle.
A giant water slide. A talking lamppost. A zombie chase game. These recent city interventions were enabled by networks of people, technology and infrastructure, making the world more playful and creating change. In this Playable City talk, Clare will take on the functional image of a future city, sharing how to design playful experiences that change our relationships with the places we live and work.
http://2014.dconstruct.org/conference/clarereddington/
Clare Reddington lives in Bristol, the second nicest town in the UK (after Brighton, of course). She’s the director of iShed, a subsidiary of Watershed.
Clare “Two Sheds” Reddington works on fun, collaborative research projects that usually involve some creative use of technology. The Playable City is a perfect example.
Clare is a member of the advisory boards of Theatre Bristol and Hide&Seek. She was a finalist in the British Council’s UK Young Interactive Entrepreneur 2009 and has featured in Wired magazine’s 100 people who shape the Wired world in for the last three years (but I’d take that with a pinch of salt if I were you—they put Andy Budd and Richard Rutter on that list too).
A discussion of creation myths, internalized histories, ”production functions”, and the uncomfortable proposition that everything new is samizdat again.
http://2014.dconstruct.org/conference/aaronstraupcope/
Aaron Straup Cope is from Montréal but these days you can find him in New York, where he works at the Smithsonian’s Cooper Hewitt Design Musuem.
Before that, he was living in San Francisco and working with Stamen Design. And before that, he was working on Flickr …before it all went to hell in a handbasket. At each of these places, Aaron has left a trail of machine tags and maps in his wake.
I remember waaaaay back, before any of those young upstarts, when Aaron worked on the Mirror Project at the turn of the century. The fact that the Mirror Project is still up and running after all this time is testament to Aaron’s interest—nay, obsession—with personal archives …although his particular penchant is for the more personal kind, like Parallel Flickr and Privatesquare.
Aaron has a love and a knowledge of food that is truly awe-inspiring. But that’s not the (only) reason I’ve asked him to speak at dConstruct. He’s speaking at this year’s dConstruct because I don’t see why the Museums and the Web conference should have him all to themselves.
And if you aren’t yet convinced of his bona fides, you should know that Aaron Straup Cope is one of the Directors of Revolving Technologies at the Spinny Bar Historical Society.
Over 10,000 years ago we lived in balance with the network. Since then we’ve tried to control, rule and bend it to our whims. In all that time, we’ve never asked ourselves if we’re building something that controls us?
http://2014.dconstruct.org/conference/briansuda/
Brian Suda is an informatician, which is definitely a real word and not just something he made up once. It is perfectly cromulent.
Brian lives and works in Reykjavík by way of Edinburgh by way of St. Louis. He’s been living in Iceland long enough that he can correctly pronounce Eyjafjallajökull. That’s quite an impressive party trick …unless the party is in Iceland.
Brian is a data hound, moving from project to project, always finding interesting ways to expose and represent the data exhaust of our network engine. He built one of the earliest microformats parsers and has written a book on Designing With Data.
Together with Aitor Garcia, Brian has formed Analog. Their first project involves the production of Kickstarter-funded notebooks beautifully embossed with geographical data.
At some point, he plans to graph all the world‘s baked goods on a hypercube of bread.
Thomas Pynchon. The Anthropocene. Ferguson. Geoheliocentrism. Teju Cole. Thomas Kuhn’s theory of paradigms. Antigone. A wall. The sixth extinction.
The ways we transmit information—and the ways in which that information accumulates into narratives—is changing. And if we aren’t careful, it may not change in all the ways we want it to.
http://2014.dconstruct.org/conference/mandybrown/
Mandy Brown is a wordsmith. She takes other people’s words and hammers them into shape.
Mandy edited Frank Chimero’s The Shape Of Design. She has edited articles for A List Apart and books for A Book Apart (including the particularly handsome first book).
More recently, Mandy assembled a dream team to work on her startup Editorially, an online platform for collaborative writing and editing. That didn’t work out in the end, which is a shame because it was a lovely piece of work.
Before that, Mandy worked as product lead at Typekit, whipping their communications into shape.
She is one of the Studiomates crew in Brooklyn, where she lives with her husband, Keith and her dog, Jax. They’re both adorable.
Tagged with dconstruct dconstruct2014 mandy brown hypertext stories society culture
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