Gerry Rafferty’s glorious and instantly recognisable hit, Baker Street is the subject of this week’s Soul Music.
Rafferty died last year (on January 4th 2011) at the age of 63, leaving behind a widely respected musical legacy. The most popular of his tracks is, arguably, Baker Street:
His daughter Martha Rafferty recalls hearing her father develop the melody in the attic of their Glasgow home; the sound of him picking-out the tune on his acoustic guitar would drift through the push-up attic-door, filling the rest of the house with what would become his biggest hit. She describes the inspiration for the lyrics: a book called ‘The Outsider’ by Colin Wilson which Rafferty was reading at the time. It’s about the sense of disconnection from the world that artists often feel. Martha regards Baker Street as the lyrical version of that book.
Other contributors include:
Musician and founder member of Stealer’s Wheel, Rab Noakes. He describes how the legal wrangling which followed the break-up of Stealer’s Wheel inspired the creation of Baker Street. "Winding your way down on Baker Street, light in your head and dead on your feet, well another crazy day, you’ll drink the night away and forget about everything". Although Rafferty was living in Scotland at the time, he had to endure long meetings at his lawyers, and Baker Street was where he’d meet friends and drink, and sing, and talk the night away. The lyrics explore the conflicting thoughts and pressures Rafferty faced: he wanted to continue with his music, but - as Martha says - he had a young family to support and there was pressure to get a ‘normal job’.
Singer-songwriter Betsy Cook whose former husband, the late Hugh Murphy, produced Baker Street, plays through the melody on her keyboard and describes what makes the song work musically. She also recalls the emotional impact of hearing it played at Hugh Murphy’s funeral.
For poet, Ian McMillan, Baker Street provided the sound track to his student years; and busker Gavin Randle plays it often on Brighton pier with a backdrop of murmurating starlings, a setting sun, and passers-by dancing arm in arm.
Martha Rafferty’s interview at the start of the programme is illustrated by an acoustic version of the track played especially for Soul Music by the guitarist Hugh Burns. He played on the original recording, and explains how he achieved the stirring guitar solo at the end of the record.
Also included in the programme is the original demo version of Baker Street, on which Gerry Rafferty plays the famous sax solo on guitar. It was released late last year on a Collector’s Edition of the City to City album.