bencmeissner / Ben Meissner

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Huffduffed (44)

  1. Hypertext as an Agent of Change

    Thomas Pynchon. The Anthropocene. Ferguson. Geoheliocentrism. Teju Cole. Thomas Kuhn’s theory of paradigms. Antigone. A wall. The sixth extinction.

    The ways we transmit information—and the ways in which that information accumulates into narratives—is changing. And if we aren’t careful, it may not change in all the ways we want it to.

    http://2014.dconstruct.org/conference/mandybrown/

    Mandy Brown is a wordsmith. She takes other people’s words and hammers them into shape.

    Mandy edited Frank Chimero’s The Shape Of Design. She has edited articles for A List Apart and books for A Book Apart (including the particularly handsome first book).

    More recently, Mandy assembled a dream team to work on her startup Editorially, an online platform for collaborative writing and editing. That didn’t work out in the end, which is a shame because it was a lovely piece of work.

    Before that, Mandy worked as product lead at Typekit, whipping their communications into shape.

    She is one of the Studiomates crew in Brooklyn, where she lives with her husband, Keith and her dog, Jax. They’re both adorable.

    —Huffduffed by bencmeissner

  2. You’re living in a science fiction story

    It’s easy to look back at old science fiction and see it as silly. But there are important ideas embedded in those stories that influenced scientists and the way technology developed. Take the first science fiction film, Le Voyage dans La Lune or A Trip to the Moon, based on a story by Jules Verne. This 1902 silent movie blasts scientists to the moon in a giant cannon. Claire Evans, editor of the recently rebooted Omni magazine, says Verne was on to something. “He just extrapolated from the technology around him,” she says. “A massive shotgun barrel shoots people into space. That’s not what happened in the real world” of rocketry, but “that essential gesture is correct.”

    “A successful science fiction story — or novel, or film — allows its readers to become comfortable with the future, with radical new technologies and ideas before they become commonplace,” she says. “It softens the edge of change.”

    Science fiction continued to inspire, even predict, real-world developments. H.G. Wells, author of The Time Machine, imagined the first atomic bomb in a 1913 short story titled “The World Set Free.” Arthur C. Clarke, author of 2001: A Space Odyssey, was also a mathematician who proposed the first geostationary satellite in a 1945 scientific technical paper. Astrophysicist and science fiction author David Brin remembers, “There was a period during the space race when suddenly science fiction authors were very much in vogue — when they were on the platforms next to Walter Cronkite and talking about the future of civilization and where we were going to go next.”

    But as society became more cynical, so did science fiction. In the 1980s, writers imagined addictive digital fantasy worlds long before the web existed. “Cyber-punk was the first science fiction movement to really understand that science and technology weren’t separate from us,” Evans explains. Or as the science fiction writer Frederik Pohl once said, “A good science fiction story should be able to predict not the automobile, but the traffic jam.”

    http://www.studio360.org/story/youre-living-science-fiction-story-7-4-2014/

    —Huffduffed by bencmeissner

  3. Politics of Science Fiction - Kim Stanley Robinson

    Kim Stanley Robinson, author of the "Mars" trilogy, "2312," and "Shaman," has been called our greatest living science fiction writer AND one of the greatest political novelists.  He writes post-capitalist page-turners set in the far future and the distant past. We talk with him about the politics of science and the imagination.

    http://www.ttbook.org/book/politics-science-fiction-kim-stanley-robinson

    —Huffduffed by bencmeissner

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