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Tagged with “uilleann pipes” (8)

  1. Barry Kerr Interview (Uilleann pipes, flute, singing)

    The Liam O’Flynn Award. Digging into the Irish Traditional Music Archive. Ulster hunting songs and mummers. Hare coursing. Life in Lurgan County Armagh. The Ceili House and legend of Seamus Tansey. Prehistoric cairns and building on the tradition. The magic of the session and finding inspiration in the music.

    https://www.blarneypilgrims.com/episodes/barry-kerr-uilleann-pipes-flute-singing

    —Huffduffed by adactio

  2. Rita Farrell Interview (Uilleann pipes, flute)

    So much in here: piping as meditation and not setting fire to the old Ganley flute. Starting on the whistle but falling for the pipes despite the danger. The eternal conversation: reeds, drones and regulators. The session spaces of Belfast, open piping closed piping, Tommy Reck and saying ‘I Love You’ to Liam O’Flynn. Being a girl and running an all female session. A room tuned to G Minor, the Drogheda connection, the five string banjo and ‘Lovely Leitrim.’ Oh. And Robbie Williams and Graham Norton too. Bish Bash Bosh. What a treat.

    https://www.blarneypilgrims.com/episodes/rita-farrell-interview-uilleann-pipes-flute

    —Huffduffed by adactio

  3. Tara Howley Interview (Whistle, concertina and uilleann pipes)

    Kilfenora; the nervous you get playing in front of ten people, worse than playing in front of a thousand. Leaving your ego at the door. Being happy with what you’re doing, being happy within yourself. First hearing the pipes and the trials of competition. Restless creativity, and finding your way to Riverdance. Managing social media and the inner self. (And a Burmese Mountain Dog called Saoirse).

    https://www.blarneypilgrims.com/episodes/tara-howley-interview-whistle-concertina-and-uilleann-pipes

    —Huffduffed by adactio

  4. Podcast: Remembering the Bothy Band – An Interview with Paddy Keenan

    For the second episode of the Journal of Music’s new podcast, editor Toner Quinn interviews the legendary uilleann piper Paddy Keenan, an original member of the influential 1970s traditional music group the Bothy Band. Keenan’s solo recordings and his piping with the band have had a profound impact on Irish traditional music over the past five decades, but it has also been a difficult personal journey for the musician. Growing up as a member of the Traveller community, he suffered prejudice which made him almost entirely reject the pipes, even causing him to lose out on an opportunity with the Beatles. Instead he joined the counter-culture in London in the 1960s, eventually returning to Ireland and becoming a member of the one of the most important Irish music groups of the twentieth century.

    This interview took place in the National University of Ireland, Galway, following an Arts in Action concert given by Keenan.

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    Original video: https://soundcloud.com/journalofmusic/podcast-remembering-the-bothy-band-an-interview-with-paddy-keenan
    Downloaded by http://huffduff-video.snarfed.org/ on Tue Feb 18 16:51:39 2020 Available for 30 days after download

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  5. Episode 07-The Piper | shannonheatonmusic.com

    It’s honeybee season. And if all is well, bee colonies are at or near peak population this month.

    Also buzzing down the mountainside: a poverty of pipers, to help me dissect uilleann pipe logistics, lure, and lore. For “The Piper” I talk to the Rowsome family, Tim Britton, Tom Rota, Patrick Hutchinson, and Isaac Alderson.

    Now, the Irish uilleann pipes CAN drip with sweet, rich melody. And they are also as temperamental as hornets, as Tom Rota describes:

    “You know, I don’t want to play anything else, but sometimes I just want to throw them on a fire and just be done with it. They’re hard to tune and maintain. Some days they sound great, and then two hours later they sound terrible… so pipers have this kind of built in sarcastic irony going on, this kind of love hate thing with the instrument, which I think is part of the tradition, really. And it’s really kind of fun.” –T. Rota

    Pipers can lead a double life — as Irish musicians who play tunes together and enjoy deep social connections. And also as players of this demanding, temperamental, complicated contraption that only fellow pipers can truly understand. Pipers seem to connect to pipers of the past, perhaps even more than other instruments do with their predecessors. Patrick Hutchinson explained this beautifully:

    “The tradition is a conversation between those who’ve gone before us and those who are here now. And they’re not gone, because the way they play is preserved in people’s fingers. And when you play and you quote other players, as pipers do, those other players are brought into the conversation.” — P. Hutchinson

    These days people play the uilleann pipes all over the world. Some do come from five generations of pipers, but many come to it from non-musical families. As Isaac Alderson notes,

    “It doesn’t matter where you’re from: who you are, where you came from. But what matters is the spirit and heart you bring to it… If you approach it with respect and a genuine desire to become proficient, I think it’s wide open.” –I. Alderson

    I hope you’ll tune in on this conversation about uilleann pipes. Whether you already know about Seamus Ennis—or you don’t know anything about Irish culture—these conversations speak about challenge, gratitude, and reverence.

    Tune: “Silver Spear,” from Kitty Lie OverArtists: Mick O’Brien & Caoimhín Ó Raghallaigh

    Tune: “Heartstrings Theme” from Production Music Made for Irish Music Stories

    Artist: Matt Heaton

    Tune: “Tom Billy’s Butcher’s March,” from Swimming Against the FallsArtist: Joey Abarta

    Tune: “Triumph Theme” from Production Music Made for Irish Music Stories

    Artist: Matt Heaton

    Tune: “Padraig O’Keefe’s 1 & 2/The Humours Of Ballydaly” from Notes from the HeartArtists: Louise and Michelle Mulcahy

    Tune: “The Praties are Dug and the Frost is All Over” from 40 Years of Piping

    Artist: Seamus Ennis

    Tune: “Pipe Solo – Slow Air” from Standing Barefoot at the AltarArtist: Tim Britton with Chulrua

    Tune: “McFarley’s/Mill Na Maídí” from Harvest StormArtist: Altan

    Tune: “Jackson’s Frieze Coat” from Irish Wind MusicArtist: Bill Ochs

    Tune: “Kesh Jig” from In ConcertArtist: Bothy Band

    Tune: “The Old Coolun” from Take Me TenderArtist: Jimmy O’Brien Moran

    Tune: “Garret Barry’s/The Bucks of Oranmore” from In ConcertArtist: Paddy Keenan with the Bothy Band

    http://shannonheatonmusic.com/episode-07-the-piper/

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