Is it morally correct for the US to pursue prosecution of Wikileaks founder Julian Assange? Is alleged leaker of military documents Bradley Manning a hero or a traitor? And what do Wikileaks and the Internet mean to the future of journalism? James Moore, the New York Times bestselling author of "Bush’s Brain," is joined by technologist Ben Werdmuller from the UK, the creator of one of the web’s early social networking platforms, and KRLD Dallas radio host Scott Braddock, to discuss "Wikileaks, the Web, and the Long, Strange Journey of Journalism." Moore will lead the panel by arguing that Assange and Manning are heroic figures and ought to be honored in a culture that requires information to sustain a democracy. Werdmuller will offer his insight on the Internet’s long term reach and impact with regard to information, systems, and public access to data that was previously unavailable, and Braddock will articulate the perspective that Assange and Manning have done harm to America and its allies and need to be treated as people who have acted outside of the law. Audience participation and questions will be encouraged.
Tagged with “sxswi2011” (12)
In this session, representatives from major browser vendors including Chrome, Microsoft, Opera and the W3C will pull back the curtain revealing some of the challenges with implementation and interoperability. The goal is to have designers and developers get a glimpse into how CSS has struggled and finally gained its footing as the presentation layer in everything we do for the Web.
Elika Etemad, Invited Expert, W3C Invited Experts. Elika J. Etemad (fantasai) is a W3C Invited Expert on the CSS Working Group and a longtime contributor to the Mozilla Project. She edits CSS specifications, does layout engine QA, and occasionally codes for Gecko. Within the CSSWG she specializes in internationalization, testing, and generally getting things done.
Molly Holzschlag, Developer Rel, Opera Software. Having achieved a modicum of balance after her midlife crisis, Molly decided to finally get a job. She is now a Web Evangelist focusing on developer relations for the upstart Norwegian browser company, Opera Software. Earlier in life, Molly avoided a regular job including those silly start-up ventures and chose instead to write a lot of books and articles and stuff on Web standards, and talk a lot about them, too. She now avoids the former, while the latter is an ongoing inevitability. To learn more about Molly and her work, you can check out her blog at molly.com or interact with her on Twitter @mollydotcom. Better yet, come have a chat F2F at SXSW!
Sylvain Galineau, Program Manager, Microsoft. Sylvain spent many years working on web application servers and now helps design Internet Explorer. He represents Microsoft on the CSS Working Group and will buy everyone a round when IE6 goes away. Everyone.
Archiving in the new entertainment marketplace involves much more than securely storing thousands of boxes of tape and cans of film. In order to provide the service that is really needed, the Archive must be prepared to provide the logical extension demanded by today’s digital film industry business model, i.e. the ability to provide directly within hours from the secure environment of the archive to the studio what can best be called the first link in the digital supply chain.
J. Craig Venter is a biologist most known for his contributions, in 2001, of sequencing the first draft human genome and in 2007 for the first complete diploid human genome. In 2010 he and his team announced success in constructing the first synthetic bacterial cell. He is a founder and president of the J. Craig Venter Institute (JCVI) and founder and CEO of the company, Synthetic Genomics Inc (JCVI). His present work focuses on creating synthetic biological organisms and applications of this work, and discovering genetic diversity in the world’s oceans. Dr. Venter is the 2008 National Medal of Science and is a member of the National Academy of Sciences. He is the author of A Life Decoded: My Genome: My Life (Viking, 2007).
Al Franken Senator US Senate Senator Al Franken was born on May 21, 1951, and grew up in St. Louis Park, Minnesota. He graduated from Harvard in 1973, where he met his wife Franni. They’ve been married for 33 years, and have two children: daughter Thomasin, 28, and son Joe, 24. Al spent the last 37 years as a comedy writer, author, and radio talk show host and has taken part in seven USO tours, visiting our troops overseas in Germany, Bosnia, Kosovo and Uzbekistan - as well as visiting Iraq, Afghanistan, and Kuwait four times. In 2008, Al was elected to the Senate as a member of the DFL (Democratic-Farmer-Labor) Party from Minnesota, and was sworn in July of 2009 following a statewide hand recount. He currently sits on the Health, Education, Labor, and Pension Committee; the Judiciary Committee; the Energy and Natural Resources Committee, and the Committee on Indian Affairs. Al is a long-time advocate for affordable, accessible health care, an economy that works for our middle class, the protection of a secure retirement, the promise of a 21st century education for our kids, and the creation of a green economy that creates jobs and improves our environment.
In a highly-anticipated return to SXSW, an all-star lineup of designers, coders, and entrepreneurs compete to pitch their worst business ideas in short lightning rounds. Winner gets funded by a real VC.
Bruce Sterling’s closing remarks at South by Southwest 2011.
Some of the most important design decisions happen in code. In 2009, I gave a talk at the Build conference in Belfast with what I thought was a fairly uncontroversial premise: web designers should write code. Since then, the subject has sparked more than a few debates, including a particular heated pile-on when Elliot Jay Stocks tweeted that he was "shocked that in 2010 I’m still coming across ‘web designers’ who can’t code their own designs. No excuse." In a recent interview, Jonathan Ive said "It’s very hard to learn about materials academically, by reading about them or watching videos about them; the only way you truly understand a material is by making things with it." He’s talking about product design, but the principle is just as relevant to the Web (if not more so). "The best design explicitly acknowledges that you cannot disconnect the form from the material—the material informs the form…. Because when an object’s materials, the materials’ processes and the form are all perfectly aligned…. People recognize that object as authentic and real in a very particular way." As our industry grows and roles get more specialized, it’s possible to become a "web designer" without more than a cursory understanding of the fundamental building materials of the Web: the code. Is this just the price of progress? Are the days of the web craftsman soon to be in the past? Or is a hybrid approach to web design and development something worth preserve?
- Jenn Lukas
- Ethan Marcotte
- Ryan Sims
- Wilson Miner
The future of web typography is as uncertain as any other aspect of the medium, but one thing is for sure: it’s got momentum. At no other time has typography been taken so seriously by so many involved in the web, and that means there’s an awful lot of change and innovation to keep up with if you want to stay on the cutting edge of online type. In as much depth as 60 minutes will allow, this presentation will cover recent proposals and additions to CSS 3, from ligatures to hyphenation, synthesis to capitalisation, and much in between. It will cover the reasoning behind the new aspects of CSS 3, and reintroduce older properties which only now are becoming implemented and useful (and thus browser support will not be ignored either). No session on web typography would be complete without discussion of webfonts. There is still much learn in this field, both in what CSS can provide, and the technical implementation within browsers. But web typography is not just about CSS, or even good type setting. The bit that touches us most closely is the medium through which most of us read: text rendering and screens, and this presentation will discuss and demonstrate the cutting edge of both. Web typography is a hugely exciting part of web design, and the field that is moving most quickly. This presentation will give you everything you need to know to keep right on the spur of the serif, the apex of the ascender, and the edge of the curve.
While both music and design have theoretical underpinnings, they also share a certain ineffability. A musical masterpiece and an exceptionally crafted experience demand more than the simple application of theory. They also demand virtuosity. Designers must skilfully bring together clicks and gestures — the building blocks of interaction design — to form a meaningful experience. Although it’s simple to describe these components, we often resort to vague shorthands like ‘look & feel’ to explain what happens at the experiential layer. Similarly, composers rely on formalised technique to write music; yet ask what makes a piece remarkable and the answer will be similarly nebulous. In this session, we will examine parallels between music and interaction design, including harmony, genre, rhythm, fashion and emotion. Along the way, we will learn how that which defies easy definition can elevate digital and musical works from good to miraculous.
- James Box
- Cennydd Bowles
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