Composer Jóhann Jóhannsson breaks down a piece from the Arrival score.
Tagged with “soundtrack” (9)
Matthew Sweet is joined by Oscar-winning composer Steven Price for a review of music written for British Sci Fi films, recorded on London’s South Bank as part of the BFI Sci Fi Festival -"Days of Fear and Wonder".
Matthew and Steve begin their survey with Arthur Bliss’s famous score for the HG Well’s inspired film "Things To Come". They look at the work of James Bernard and Tristram Cary for the Quatermass films and reflect on scores for "The First Men In The Moon"; "2001 - A Space Odyssey"; "Alien"; "Brazil"; "Flash Gordon" "The Hitchhiker’s Guide To The Galaxy"; "Sunshine"; "Inception"; "Under The Skin" and "Gravity".
With the latest instalment of Peter Jackson’s Tolkien-inspired films launched on Friday - "The Hobbit: The Battle of Five Armies", Matthew Sweet looks at film music and sagas. The programme features music from "Harry Potter"; "The Twilight Saga"; "The Godfather"; "Ocean’s Eleven"; "Three Colours Blue"; "From Russia With Love"…… and "The Hobbit".
Composer Howard Shore talks about the twenty hours or more of music he has composed for the Tolkien films.
The Classic Score of the Week is John Williams’s "Star Wars".
Matthew Sweet looks back on the career of the great Italian film composer Ennio Morricone with the Morricone expert Pasquale Iannone.
The programme includes music from much loved classics such as "A Fist Full of Dollars" and "The Good, The Bad and the Ugly"; "Cinema Paradiso", "1900", "The Mission"; and less well known scores such as "The Investigation Of A Citizen Above Suspicion"; "A Quiet Place In The Country" and Morricone’s first score: "Il Federale".
The Classic Score of the Week is "Once Upon A Time In The West".
Mark Kermode discusses the use of electronic music in film soundtracks with director Alan Parker and Oscar-winning composer Steven Price, who scored The World’s End and Gravity.
Mark Kermode is joined by several guests - including film composer David Arnold and director Edgar Wright - to discuss the soundtracks he loves.
The Sounds of the Sounds of Science features 78 minutes of instrumental music by Yo La Tengo. The CD contains the entire score written and performed by the band to accompany eight legendary but rarely-seen undersea documentary shorts by influential French avant-garde filmmaker Jean Painleve. Yo La Tengo’s score, originally debuted on stage at the San Francisco Film Festival in April 2001 with the band providing live accompaniment to the films, echoes the films’ haunting surrealist imagery, yet the music is equally evocative on its own, from the dreamy soundscapes of “Sea Urchins” and “How Some Jellyfish Are Born” to the harsher, more dissonant moods of “Liquid Crystals”and “The Love Life of The Octopus”. In September 2001, the group headed into a Nashville studio and laid down the complete score with longtime producer Roger Moutenot. The resulting album also features vibrant cover photos from the films, along with ominous and comforting illustrations by Jim Woodring and Jad Fair.
The LSO’s Principal Trumpet for 30 years, Maurice Murphy, retired from the orchestra in June 2007 – truly the end of an era. Maurice is one of the best known, most admired and loved trumpeters in the world. In this exclusive programme, Tommy Pearson takes an affectionate journey through Maurice’s career, talks to many of his colleagues and friends and hears some of his greatest moments as a player.
Composer John Williams talks about the first Star Wars sessions – Maurice’s first notes as principal in the LSO – and how he subsequently wrote with Maurice in mind for Superman, Indiana Jones, Harry Potter; Michael Tilson Thomas recalls the power of a Maurice Mahler 5; Co-Principal Rod Franks talks about his 43 year friendship with Maurice; many other colleagues, including Gerry Ruddock, Nigel Gomm, Patrick Harrild and Gerald Newson contribute their own memories; and we also hear from Maurice’s family – his son Martin and wife Shirley.
But at the centre of the programme is an interview with Maurice himself, as he looks back on an extraordinary career from boy wonder in brass bands, losing out to a Pearly King in Opportunity Knocks, becoming principal cornet in Black Dyke, moving into classical music with the BBC Northern, and landing the LSO job. We also hear speeches and tributes recorded at Maurice’s LSO retirement party in June.
It is the portrait of a legend; but one who remains modest and humble. “I’m just another trumpeter who’s been very lucky” he says. No-one believes that for a moment.
By Public Image Limited. From the soundtrack of the cult British indie sci-fi film Hardware.
The whole soundtrack is online here: http://www.everythingisundercontrol.org/soundtrack.html