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Tagged with “copyright” (30)

  1. Video and audio from my closing keynote at Friday’s Grand Re-Opening of the Public Domain / Boing Boing

    On Friday, hundreds of us gathered at the Internet Archive, at the invitation of Creative Commons, to celebrate the Grand Re-Opening of the Public Domain, just weeks after the first works entered the American public domain in twenty years.

    I had the honor of delivering the closing keynote, after a roster of astounding speakers. It was a big challenge and I was pretty nervous, but on reviewing the saved livestream, I’m pretty proud of how it turned out.

    Proud enough that I’ve ripped the audio and posted it to my podcast feed; the video for the keynote is on the Archive and mirrored to Youtube.

    The whole event’s livestream is also online, and boy do I recommend it.

    https://boingboing.net/2019/01/27/locke-as-thinkfluencer.html

    —Huffduffed by adactio

  2. Cory Doctorow, “Information Doesn’t Want to be Free” – The Command Line

    This is an episode of The Command Line Podcast.

    In this episode, I interview Cory Doctorow about his latest book, “Information Doesn’t Want to be Free: Laws for the Internet Age.” If you are interested in learning more about the topics we discuss and that book covers, you can also check out books by the scholars we mention: Lawrence Lessig, James Boyle and William Patry. I compared Cory’s book to “The Indie Band Survival Guide” the authors of which are friends of the show whom I have also interviewed.

    The audiobook version of the book is already available. Check Cory’s site, the free download and electronic editions should be available soon.

    http://thecommandline.net/2014/12/13/info_doesnt_want/

    —Huffduffed by adactio

  3. Gabriella Coleman on the ethics of free software

    Gabriella Coleman, the Wolfe Chair in Scientific and Technological Literacy in the Art History and Communication Studies Department at McGill University, discusses her new book, “Coding Freedom: The Ethics and Aesthetics of Hacking,” which has been released under a Creative Commons license.

    Coleman, whose background is in anthropology, shares the results of her cultural survey of free and open source software (F/OSS) developers, the majority of whom, she found, shared similar backgrounds and world views. Among these similarities were an early introduction to technology and a passion for civil liberties, specifically free speech.

    Coleman explains the ethics behind hackers’ devotion to F/OSS, the social codes that guide its production, and the political struggles through which hackers question the scope and direction of copyright and patent law. She also discusses the tension between the overtly political free software movement and the “politically agnostic” open source movement, as well as what the future of the hacker movement may look like.

    http://surprisinglyfree.com/2013/01/08/gabriella-coleman-2/

    —Huffduffed by adactio

  4. Record Label Picks Copyright Fight€” With The Wrong Guy : All Tech Considered : NPR

    Lawrence Lessig was not pleased when Liberation Music persuaded YouTube to take down one of his online lectures because of an alleged copyright violation. So Lessig, one of the most famous copyright attorneys in the world, decided to take a stand against broad, intimidating takedown notices.

    http://www.npr.org/blogs/alltechconsidered/2013/09/27/226834651/record-label-picks-a-fight-over-copyright-with-the-wrong-guy

    —Huffduffed by adactio

  5. Stranger Than Fiction, Cory Doctorow Edition

    This week, Tim speaks with his childhood friend Cory Doctorow, who is digital rights activist, the co-editor of BoingBoing, and the author of several science fiction novels, including Little Brother and Homeland. Cory discusses why he writes for young adults, the state of copyright law, and more.

    http://www.slate.com/articles/podcasts/future_tense/2013/05/cory_doctorow_joins_tim_wu_for_the_slate_podcast_stranger_than_fiction.html

    —Huffduffed by adactio

  6. Shut Your Analog Hole - The New Disruptors - Mule Radio Syndicate

    Cory Doctorow (@doctorow) is a essayist, novelist, blogger, and co-editor of BoingBoing, and he is exhausting. The man is a production machine, churning out excellent book after excellent book as if writing were a job instead of something to agonize and procrastinate over. As of this writing, his latest books are Homeland and Pirate Cinema, and, with Charlie Stross, he wrote Rapture of the Nerds. Cory has also long been an advocate for the personal ownership of culture, demanding corporations and governments keep their hands off what we make and their noses out of our individual use and modification of media and hardware. To that end, he has fought endless wars against restrictive legislation.

    Websites we mention: Cory worked for the Electronic Frontier Foundation (EFF), a non-profit that defends individual rights and freedoms. Cory was part of the Humble Ebook Bundle, which put together several science fiction and fantasy books into a single name-your-price bundle in which the buyer chose how much of their payment went to authors and how much to three charities. Amazon has a price-matching arrangement when authors pick a 70%-royalty arrangement that allows them to match the lowest ebook price anywhere on the Net for any book they sell for Kindle. BookScan tracks retail sales through integration with point-of-sale and online sales systems. My father and I run Books & Writers, a book-rank tracking service. Amazon has provided BookScan data to authors who register with them. At least one book distributor in 1996 was relying on IBM’s PROFS on a mainframe. Cory documented in painstaking detail how his With a Little Help story collection was funded and produced. Artist friends created a set of four covers for print editions so that one could choose among them. The book was designed by John D. Berry, a friend of mine and one of the world’s best typographers. (His wife is Eileen Gunn, a science-friend and incubator of science-fiction writers.) There’s a difference between the barter economy and the gift economy, and Cory explains the distinction. Andy Baio, who is part of the life’s blood of creativity on the Internet, released Kind of Bloop, a collection of 8-bit music, that had an homage of a famous Miles Davis photo as part of the cover. Despite it rather obviously being precisely within the reasonable confines of transformative work, it would have required exensive litigation. Andy settled to avoid destroying his family finances. The partly crowdfunded movie Stripped had a second round of money raising to cover the clearance rights for some of the copyrighted material the filmmakers wanted to include. Cory pointed out that the Stanford Center for Internet and Society can help a filmmaker who wants to assert fair-use rights over material obtain the errors and omissions insurance required to have a film shown in a theater and released in other ways. Ursula K. LeGuin likely wouldn’t have a found a publisher who would have been willing to let her quote from The Beatles’ “A Little Help from My Friends” today, a critical component of her The Lathe of Heaven. In fact, the 1980 PBS movie of the book couldn’t be re-released for many years because of both negotiating with the original cast and crew, and obtaining rights. The Beatles’ original version of the song was replaced with a cover in the re-release. (Cory notes that LeGuin doesn’t like fair use of her own work.) Aereo is a Barry Diller-controlled company that is selling access to tiny HDTV antennas over the Internet to skirt rules about re-broadcasting. It’s clever. So clever that a dissenting judge in an appeals panel was rather unhappy about it. Fox filed takedown notices under the DMCA for Cory’s book Homeland on various sites asserting it was the rightsholder, as opposed to being the rightsholder for its TV series Homeland. Jaron Lanier once told tales of virtual-reality goggles and the future. He now tells different stories. The Infocom Hitchhiker’s Guide to the Galaxy (H2G2) game may still be played. The Incomparable podcast did an episode on Infocom games. Sony once infected computers with a rootkit to manage copy protection for its music CDs. The software hid itself and degraded Windows, and it took a long while for Sony to tell the truth and make amends. Defibrillators can be easily hacked. The Analog Reconversion Discussion Group was formed to plug the “analog hole,” which was a way to copy digital playback through an analog output. Scott Turow wrote a spectacularly uninformed and self-serving Op-Ed in the New York Times that conflated a number of different factors, mostly specious and relatively absurd, about how authors were getting a squeeze on royalties. The issue at hand was the Supreme Court allowing the importation of foreign editions of books. Such editions may be sold cheaply abroad, but also are often made more cheaply and thus not as appealing to American buyers. Turow is head of the Author’s Guild, which purports to speak for all authors, but only a tiny number of writers belong relative to all published authors. (I used to.) The Registrar of Copyrights may approve temporary and limited exemptions to the DMCA, but these are reviewed every three years. RealDVD got pulled from the market by RealNetworks in order to avoid disturbing studio partners. Kaleidescape makes servers that let users rip CDs, DVDs, and Blu-Ray and then space shift them around a house. “No, that’s just perfectly normal paranoia, everyone in the universe has that.” Many people who are competent suffer from Imposter Syndrome. A comic came out after Cory and I spoke about the day jobs of poets.

    http://www.muleradio.net/newdisruptors/24/

    —Huffduffed by adactio

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