Maids of Mount Kisco/The Sligo Maid/The Swallow’s Tail

Possibly related…

  1. Irish Music Stories Podcast: Episode 01-Trip to Sligo

    This inaugural episode tells the tale of Cormac Gaj and the band he formed with fellow Boston tweens. I learn about their amazing journey to the All Ireland music competition in Sligo; and I dig into what it meant to Cormac… and to all the parents, teachers, and peers who were in on the qualifying round in New Jersey, and the big Fleadh (contest) in Ireland. Whether you already play the fiddle or you don’t know anything about trad music or dance, you’ll join me, Shannon Heaton as I visit Boston and Dublin Comhaltas branches (Irish music schools); Mary MacNamara’s kitchen in Tulla, where she teaches music and organizes Irish music exchanges; and Cormac’s living room where he tells his big story. Great stories here from Chicago fiddler Liz Carroll, too. There’s plenty of music here, too. Full music listings and information at

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  2. Irish fiddle master Brian Conway brings his Sligo-style music to Las Cruces | KRWG

    Brian Conway is one of the finest County Sligo-style Irish fiddlers in the United States and abroad. The winner of several All-Irish Fiddle contests in Ireland, the native New Yorker has been playing fiddle since was ten, continuing a musical tradition that Irish musicians brought to this country and which has continued to evolve here. He brought his fiddle to the KRWG studios to talk with Intermezzo host Leora Zeitlin about the music he plays and the musicians who taught and inspired him, including his father. And while here, he demonstrated a little bit of the unique Sligo "accent" that defines Sligo-style fiddle-playing.

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  3. Open Licensed Music Podcast Ep. 43: Celtic Music

    Whisky in the jar (2:43) Reels: Tom Ward’s Downfall / Sligo Maid / Mountain Road (4:17) Up Kilkenny (Instrumental Version) (2:52) Drink It Up (2:07) Whisky You’re the Devil (2:48) The king of the fairies/the mermaid (2:33) Achaidh Cheide (2:16) Long Road Ahead (2:29) Jigger (Traditional goes Rock) (2:09) Star of the County Down (5:11) Irish (1:20) 04 Carousel 2 (4:03) Folk Round (3:06) Irish Mexicana (2:24) Whisky in the Jar (2:58) sous la pluie (3:48) Skibbereen feat Heydline (4:34) The Voice of Moss (2:17) The Pullet and the Cock (2:11)

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  4. Pigeon On The Gate

    Music from the Sligo fiddler Michael Gorman, an out-of-copyright recording made in 1956 in cahoots with Margaret Barry on tenor banjo.

    1. Lord Gordon’s
    2. McFadden’s Fancy
    3. The Lark In The Morn
    4. The Broken Pledge
    5. Michael Gorman’s
    6. The Pigeon On The Gate
    7. McFadden’s Reel
    8. The Burnt Cabbage
    9. The Mountain Road
    10. The Strayaway Child
    11. The Chanter Song
    12. The Woman Of The House
    13. The Boys Of Ballisadare
    14. Bonnie Anne
    15. The Sligo Maid/Gan Ainm
    16. The Star Of Munster
    17. The Humours Of Lisnadare
    18. Roaring Mary/The Maid Of Castlebar
    19. Carracastle Lasses
    20. Jenny’s Welcome To Charlie

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  5. “The Boys of the Lough” - Studio 360

    Michael Coleman’s recordings from the early 1920’s set the standard for all the traditional Irish music that would follow. Coleman emigrated from County Sligo, Ireland, to New York City in 1914 at the age of 23. In New York, recording companies were eager to sell records to immigrants nostalgic for the music of home. Coleman became one of the first Irish musicians to be immortalized on the shellac of a 78 rpm record.

    Coleman played a style of fiddle music particular to county Sligo. “The Sligo style is upbeat, it’s very rhythmic, uses a lot of ornamentation,” says Brian Conway, a musician from New York who plays Sligo-style fiddle.

    It was a tradition passed down from mentor to student, not on paper. “The music is not played as it’s written on sheet music,” says Fiona Ritchie, producer of the public radio show The Thistle and Shamrock. “When you had no way of recording it, the only way to memorialize it was to put it on sheet music, and then it loses that sense of rhythm that can only be captured by hearing it.”

    So when Coleman recorded the song “The Boys of the Lough,” he was crystallizing a tradition. “This was really a turning point for Irish music, because music could travel out from the communities where it had just been a natural, unremarkable part of life,” Ritchie says.

    Ritchie credits recordings by Coleman and other Irish emigrants with saving traditional Celtic music. “Once you partnered up these early recordings with radio, you had the music coming back to its home again and reinvigorating the music,” she says. “So many of these communities had been depleted, with young folks going away and taking their music with them.”

    Coleman was prodigiously talented, and thanks to those early recordings, his influence hasn’t waned. “Michael Coleman’s influence on traditional Irish music could be compared to Miles Davis in jazz, the Beatles in rock ‘n roll,” Conway says. “His influence is still felt today by those who may never have actually listened to Coleman play, but just through what they’ve learned from other people.”

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  6. The Gloaming - The Music Show

    The Gloaming is Martin Hayes, fiddle, Iarla Ó Lionáird, vocal, Caoimhín Ó Raghallaigh, hardanger fiddle, Dennis Cahill, guitar and Thomas Bartlett, piano.

    Live performances in The Music Show studio:

    • Song 44: Trad arr. The Gloaming
    • Sailors Bonnet Trad arr. The Gloaming

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