How do you design the future? Today we talk with cyberpunk founder and design theorist Bruce Sterling and feminist/activist writer Jasmina Tešanović about speculative design, design fictions, open source hardware, the maker movement, and the soft robots of our domestic future. Plus we go behind the scenes of the creation of a design fiction by Bruce, Jasmina, Sheldon Brown, and the Clarke Center—a video installation called My Elegant Robot Freedom.
Tagged with “robots” (29)
Our increasingly smart machines aren’t just changing the workforce; they’re changing us. Already, algorithms are directing human activity in all sorts of ways, from choosing what news people see to highlighting new gigs for workers in the gig economy. What will human life look like as machine learning overtakes more aspects of our society?
Alexis Madrigal, who covers technology for The Atlantic, shares what he’s learned from his reporting on the past, present, and future of automation with our Radio Atlantic co-hosts, Jeffrey Goldberg (editor in chief), Alex Wagner (contributing editor and CBS anchor), and Matt Thompson (executive editor).
From Skynet and the Terminator franchise, through Wargames and Ava in Ex Machina, artificial intelligences pervade our cinematic experiences. But AIs are already in the real world, answering our questions on our phones and making diagnoses about our health. Adam Rutherford asks if we are ready for AI, when fiction becomes reality, and we create thinking machines.
An eight-year-old boy’s encounter with a robotic toy doll ends up changing the course of technological history. Steven Johnson talks with special guests Ken Goldberg and Kate Darling, as we look at the uncanny world of emotional robotics. What if the dystopian future turns out to be one where the robots conquer humanity with their cuteness?
Original video: https://soundcloud.com/wonderland-podcast/episode-1-babbage-and-the-dancer
Downloaded by http://huffduff-video.snarfed.org/ on Thu, 13 Oct 2016 13:00:40 GMT Available for 30 days after download
This August, that summer-cinema experience of cataclysm and crash has escaped the theaters and invaded our everyday lives. The panic is real: about politics and economics, terrorism and temperature.
So we’re taking a cue from Hollywood for a summer blockbuster of our own. What if we looked beyond those superhero-movie scenarios—New York decimated by robots, clones, aliens, or terrorists—into the world-changing, and life-threatening, real developments of 2016? In 200 years, will humans (if they still exist!) speak with regret about Trump, the rising tide, or about trends and inventions we’ve barely even heard of yet?
With scientists, writers, humanists and technologists, we’ve got our eyes looking for the big risks and asking the life-or-death question for our entire civilization: Apocalypse Now?
There are some very smart people out there arguing that machines and computers are stealing our jobs. And that when these jobs go away, they won’t be replaced. They think that in the future, there will be fewer and fewer jobs.
In the short-term, that’s a big problem, but in the long-term, it could be great news. If robots are doing all the work, people can just relax, right?
What happens when the jobs go away? No one knows. So, in collaboration with The Truth, we made something up. Our show today is a work of fiction.
"Actuality" visits Spotify, where algorithms tell 75 million users what to listen to. Then, Tim and Sabri talk with a world-touring musician and a critic to see if this trend will save the arts — or doom them.
In the mid-1970s, English classical actor Anthony Daniels was asked to audition for a role as a droid in a new science fiction film by a little-known Hollywood director. The film turned out to be Star Wars and the director, George Lucas. Star Wars went on to become one of the biggest blockbusters of all time; while Anthony Daniels turned C3PO into one of the most famous robots in cinema history.
As designers, new technologies are always capturing our imaginations, but in order to become part of our everyday life they need be introduced through human contexts and meaningful stories. In this talk, IoT expert and “maker-futurist” Carla Diana will share methods and strategies for new product visions based on vivid storytelling and tangible model making, looking at techniques such as scenario storyboarding, video narratives and vision imagery. She’ll share case studies from recent product design projects as well as experiments from her design lab work to showcase ways that near future technologies can be embraced as compelling ideas for new types of everyday products.
Carla Diana is a hybrid designer keenly focused on realising new visions for Smart Objects and the Internet of Things. In addition to her industry experience at some of the world’s top design firms, such as frog Design and Smart Design, Carla maintains strategic alliances with a number of academic research groups. She is a member of the Georgia Tech Socially Intelligent Machines Lab, and a faculty member at the School of Visual Arts and the University of Pennsylvania’s Integrated Product Design Program, where she developed the first course on Smart Objects. She is Advisor for the group Tomorrow-Lab, a young design firm that creates electro-mechanical solutions for smart devices and she continues work as a Fellow at Smart Design, where she oversees the Smart Interaction Lab.
Carla’s recent article, “Talking, Walking Objects”, appeared on the cover of the New York Times Sunday Review in January 2013, and is a good representation of her view of our robotic future. She has just completed a children’s book for Maker Media about the future of 3D printing and design entitled LEO the Maker Prince.
Alex Garland is the writer and director of Ex Machina, a recently released film about what happens when someone is asked to interact with what might be the world’s first true artificial intelligence (as well as the writer of Dredd, Sunshine, and 28 Days Later).
On the show this week guest host Rebecca Watson talks to Garland about the science behind the film, and what he learned in the process of making it.
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