Rhythm Master On The Wire Part Two | Tribute to the Godson – Glenmore Brown
The War Is Over (continued)
1. African Drums – Glen Brown – African Museum
2. Only Love – Gaby & Wilton – Scorpion**
3. Right Food Skank – G.L.B. – South East Music Limited
4. Jah Jah Bring Everything – Jah Glen as Glen Richard - South East Music Limited
Glen Brown At Cross Roads
5. Version – G.L.B. - South East Music Limited
6. Mr Ball Head Akekin – Bobby Aitken - Pantomine
7. Glen Brown At Cross Roads – Glen Brown – Pantomine
8. Crankie Bine – Rosey Davis
Tagged with “the wire” (18)
Rhythm Master On The Wire Part Two | Tribute to the Godson – Glenmore Brown The War Is Over (continued)
Moods On the Wire - A Tribute To The Work Of Harry Mudie
Born in Spanish Town, Jamaica 1940, Harry Mudie operated his own sound system "Mudies Hi-Fi" in the mid fifties, before moving to the UK to study electronics and photography. Returning to Jamaica, he began producing Jamaican R&B records from the late 1950s. His first production was "Babylon Gone" (1962) by rasta drummer Count Ossie, released in the UK in 1962 on Blue Beat. He was the first producer to use string sections in reggae, starting with John Holt’s 1973 album "Time is the Master". From the mid to late 1970s he had his greatest success producing artists such as Gregory Isaacs, The Heptones and Cornel Campbell.
Dennis Walks – Drifter - (Moodisc) - (C)
Bongo Herman - Car Pound Drifter - (Moodisc) - (C)
King Tubby Tubby - Red Red Red Dub - (Cactus)
I.Roy -D.J. Drifter - (Moodisc) - (C)
Bunny Meloney - I’ve Been A Loser - (MHA)
Big Joe - Drifter In The Ball - (Moodisc) - (C)
King Tubby - Drifting Dub - (Moodisc) - (B)
Rhythm Rulers - Drifter Bratah - (Moodisc) - (C)
Tommy McCook - Drifting With A Flute - (Moodisc) - (C)
John Holt - Love is Gone - (Cactus)
King Tubby - Dub With A Difference - (Moodisc) - (A)
Heptones - Love Without Feeling - (Moodisc)
G.G Russell - Who Who Wha - (Moodisc) - (E)
I.Roy - Musical Pleasure - (MHA)
Shark Wilson - God Is Standing By - (Cactus)
King Tubby - Planet Dub - (Moodisc) - (B)
The Eternals - Push Me In The Corner - (MHA)
John Holt - Time Is The Master - (Cactus)
Gladstone Anderson - Portrait of Inga - (Ashanti) - (D)
Maria Mudie - Caught You A Lie - (Cactus)
King Tubby - Caught You Dubbing - (Moodisc)
King Tubby - Jungle Walk Dub - (Moodisc)
Ebony Sisters - Let Me Tell You Boy - (Moodisc) - (E)
Moodies Allstars - Let Me Tell You Version - (Moodisc) - (E)
Jah Wilson - Stand In A Yard & Praise Yah - (MHA)
Count Sticky - What Do Yu So - (Moodisc)
I.Roy - Let Me Tell You Boy - (Moodisc)
Lloyd Jones – Rome - (Moodisc) - (F)
Jo Bennett - Leaving Rome - (Moodisc) - (G)
Gladstone Anderson - Leaving Rome - (Ashanti) - (D)
King Tubby - Roman Dub - (Moodisc) - (A)
Dennis Walks - Heart Don’t Leap - (Moodisc) - (E)
Winston Wright - Musically Red - (Moodisc)
I.Roy - Heart Don’t Leap - (Moodisc) - (H)
King Tubby’s - Heart Leap Dub - (Moodisc) - (B)
Mundies Allstars - Serious Business - (Moodisc) - (E)
Count Ossie - Whispering Drums - (Moodisc) - (E)
Gladstone Anderson - The Elected One - (MHA)
Lenny Hibbert - Ital Vibes - (Moodisc)
King Tubby & Strings - Dub In Rema - (Moodisc)
Where Noted The Above Are Also Available On The Albums Listed Below (A) Dub Conference Vol 1
(B) Dub Conference Vol 2
(C) Reggae Bible, Book Of Drifters
(D) It May Sound Silly
(E) Let Me Tell You Boy (Trojan)
(F) Sufferers Choice (Attack)
(G) Blow, Mr Hornsman (Trojan)
(H) Keep On Coming Through The Door (Trojan)
Broadcast on 1st August 1994. Music Selection & Show Production By Steve Barker, with invaluable assistance from Chris Reynolds.
Special Thanks to Mike Martin, Tony Derwent, John Wyer
First episode of The Wire, discussing the experience of music as it was affected by the invention of electricity.
David Simon, the creator of The Wire, talks with A.C. Thompson and others about turning a real life New Orleans investigation into a fictional story line for the HBO drama Treme.
Event Date: 24 February 2012 Clore Management Centre Birkbeck, University of London Malet Street London WC1E 7HX The Birkbeck Institute for the Humanities presents: Slavoj Žižek – The Wire or the clash of civilisations in one country ————————————————– Introduction by Professor Costas Douzinas .
The "Treme" and "The Wire" actor on his career, launching a supermarket chain in New Orleans, and why Americans shy away from reality on television.
On HBO’s The Wire, actor Michael K. Williams plays Omar Little, a stick-up guy who robs only drug dealers. Omar has a scar running down his face. That’s not a prosthetic scar; it’s real. Williams tells Terry Gross the story behind his scar â and lots of other stories about himself and Omar.
THE ART OF THE WIRE: A DISCUSSION WITH CAST AND CREATORS. Check it out below as ROBERT CHEW enacts what PROPOSITION JOE would think of Barack Obama, and JAMIE HECTOR explains the back-story he created for MARLO STANFIELD, and writer GEORGE PELECANOS admits they could’ve done a better job portraying women characters, and FRAN BOYD — the inspiration for David Simon’s The Corner — explains love and redemption, and POOT … well, TRAY CHANEY will tell you that Poot is just Poot.
Dennis Lehane so rules the neighborhood of Noir (“Nwaaah,” as we say in Boston) that he gets street credit for work he didn’t write, like “The Departed” and “The Town.” But does the author of “Mystic River,” “Gone Baby Gone” and the new Moonlight Mile get credit enough for a body of artistic work now far beyond private-eye or “genre” of any kind — way beyond his gift for Boston-accented dialog?
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