Tags / rock

Tagged with “rock” (126) activity chart

  1. Meet Angry Bob | High Octane Growler

    Angry Bob is a little bit like Muhammad. We can’t show his face. But if you could see his face, he would likely have veins popping out of his head in the midst of yelling at a lawnmower, or perhaps waving a large marital aid over his head. That’s how we like to think of him.

    We mentioned early on neither Mitt Romney or Fox News would approve of High Octane Growler. And if Glenn Beck’s planned Glenbeckistan nanny state-free penal colony in disguise really takes off in Idaho, it’s going to be a major blow for weird, goofball American diversity if we lose all the Angry Bobs to it.

    http://highoctanegrowler.com/2013/02/meet-angry-bob/

    —Huffduffed by jcheshire 3 months ago

  2. Episode 12: Girl, you’ll be a woman soon (remix). | The Enormocast

    —Huffduffed by jplindstrom 3 months ago

  3. Episode 28: Alex Honnold- Calmer than you are. | The Enormocast

    —Huffduffed by jplindstrom 3 months ago

  4. Firewall & Iceberg Podcast, episode 168: Community, Smash, The Walking Dead & more

    In the new Firewall & Iceberg Podcast, HitFixs Alan Sepinwall and Dan Fienberg review NBCs Community and Smash, TNTs Monday Mornings, AMCs The Walking Dead and revisit the finale of NBCs 30 Rock.

    http://www.hitfix.com/whats-alan-watching/firewall-iceberg-podcast-episode-168-community-smash-the-walking-dead-more

    —Huffduffed by oerst 3 months ago

  5. RareCollections: Jazz-Rock in Australia - ABC Canberra - Australian Broadcasting Corporation

    Inspired by international acts like Miles Davis, John McLaughlin, Si Zetner and Herbie Hancock a number of Australian musicians began experimenting with jazz-rock and fusion in the late 60’s and early 70’s. David and Jordie Kilby take a look at some of the classic recordings and speak with Col Loughnan (Ayers Rock), Warren Daly (Daly-Wilson Big Band) and Jim Kelly (Crossfire & SCRA).

    Sven Libaek, John Sangster, Peter Martin and Col Nolan are just a few of the musicians who began experimenting with blending jazz, pop and rock in the late 1960’s. They weren’t the only ones though……

    Daly-Wilson Big Band - Ode To Billie Joe - Reprise - 1973.
    Warren Daly and Ed Wilson got this group together in 1968 and were blowing audiences away from the get-go. With band members numbering more than twenty on occasions they criss-crossed the country bringing their jazz-rock arrangements to the masses. After a break during ‘72 they returned bigger and better than ever in 1973 with the "On Tour" album. Ode To Billie Joe is a shining example of what the outfit were all about.

    Ayers Rock - Angel In Disguise - Mushroom - 1976.
    In the mid 70’s Ayers Rock were writing and recording material unlike any of their contemporaries. Their first album Big Red Rock featured classic tracks like Crazy Boys (The Hamburger Song), Lady Montego and Nostalgic Blues. When Michael Gudinski took it to the U.S in an attempt to find international markets for his newly established stable of Mushroom acts he found interest straight away. A&M Records instantly put up a considerable advance to get the group over to record a follow up. In Hollywood, with Steve Wonder in the booth next door, they recorded the "Beyond" LP which featured this track written by Col Loughnan.

    Sun - Vendetta - RCA - 1972.
    Notable for being fronted for a while by the teenage Renee Geyer, who would go on to great fame in the following years performing her own brand of jazz, funk and rock. The band formed around jazz aficionado Keith Shadwick and they were a popular live act in Sydney during 1971 and into 1972. Their only recording was the "Sun ‘72" album which was recorded and mixed in just 25 hours at Copperfield Studios. The album features a distinctive cover painted by artist Peter Upward.

    Crossfire - Remember The Trees - Harvest - 1975.
    Jim Kelly, Mick Kenny and Ian Bloxsom formed the core of Crossfire who set the pace for jazz fusion in Australian in the late 70’s. Before putting the band together Jim Kelly had also been a part of the Southern Contemporary Rock Assemble (SCRA) who are another notable jazz rock group of the time. With a regular gig at French’s Tavern in Sydney they built a very strong live following before unleashing a string of classic albums beginning with their self titled 1975 album that featured this track - the first song Jim Kelly had ever written.

    http://www.abc.net.au/local/stories/2011/12/07/3385363.htm?site=canberra

    —Huffduffed by theJBJshow 3 months ago

  6. RareCollections: South East Asian Go Go Divas - ABC Canberra - Australian Broadcasting Corporation

    David and Jordie are joined by Ross Laird to look at some of the great pop records made in South East Asia in the 1960’s.

    Ross has been a long time fan and is currently involved in a research project studying the history of the scene. Teenagers the world over were reinventing popular music and in the clubs and bars of Jakarta, Singapore and Kuala Lumpur it was no different. What’s also not widely known is that the industries in both South East Asia and Australia were very much interlinked with quite a few records appearing in the SE Asian market being pressed in Australia. The acts you’ll hear in this episode are:

    The Crescendos - Long Tall Sally - Phillips - 1965.
    When their debut single was released in 1963, the The Crescendos became the first South East Asian act to cut a locally recorded pop song. The five piece band, featuring Susan Lim on vocals, hailed from Singapore and opened the floodgates for a wave of local talent.

    Doris Ang and the Sandboys - Crying In A Storm - White Cloud Records - 1968.
    Crying in a Storm was originally recorded by Emy Jackson in Japan. Emy Jackson was born in England but was living in Yokohama and working as a radio DJ when she cut her version in 1965. It became a big regional hit and was the subject of many cover version including this gem. Doris Ang enjoyed a career that continued into the 1970’s.

    Connie Lupang and the Jokers - Ginavo Ku Doiho (My Heart Is There) - Semco Records - 196?.
    Hailing from Kota Kinabalu in Malaysia, Connie Lupang released this obscure EP in the mid to late 60’s. She sings in the local dialect.

    Siti Mariam and the Rhythm Boys - Sea Cruise - Eagle Record - 1966.
    The influence of New orleans R&B spread far and wide in the 60’s including South East Asia. This cover of the Huey Piano Smith 1959 classic comes from Singapore-Malay vocalist Siti Mariam. Adding to its multicultural flavour the record was pressed in Australia. While most of her other records were sung in Malay this time she turned to English with fine results.

    http://www.abc.net.au/local/stories/2011/07/18/3272078.htm?site=canberra

    —Huffduffed by theJBJshow 3 months ago

  7. RareCollections: Pioneering Indigenous Australian Vocalists - ABC Canberra - Australian Broadcasting Corporation

    Jordie Kilby and David Kilby feature some pioneering Aboriginal and Torres Strait Island singers.

    In the 90’s Yothu Yindi’s hit albums and singles greatly assisted in attracting national and international interest in Indigenous Australian music and performers. Yet, in some ways, the path that the group trod had been walked before. But by whom? Here are a few of the pioneers.

    Harold Blair - Jabbin Jabbin - Score Records 1956.
    Harold Blair was blessed with a beautiful tenor voice and it took him from Murgon mission in Queensland to the concert halls of New York. His first release appeared in 1956 on Melbourne’s Score record label and was the first commercial recording by an aboriginal Australian singer. What makes the record really interesting is that even though Blair made his name performing in productions like The Messiah, his first official recordings were of songs that the discs’ liner notes call traditional aboriginal Australian songs.

    Georgia Lee - Downunder Blues - Crest Records - 1962.
    When her album "Sings The Blues Downunder" was released it created a place for Georgia Lee in the history books. It was the first blues album ever recorded in Australia and only the second album, of any kind, recorded by an Australian female artist. Alongside covers of blues standards sit two original compositions, Yarra River Blues and Downunder Blues, both penned by Crest producer King Crawford and very early examples of what you might call Australian blues.

    Vicki Simms - Yo Yo Heart - Festival Records - 1961 & Stanger in My Country - RCA Records - 1973.
    Vicki Simms career began before he was a teenager singing Little Richard covers at Sydney dances in the late 1950’s. His first single Yo Yo Heart was released in 1961 when he was thirteen. Even though his records and TV appearances were geared toward the pop market he was a rock and roller at heart and one of the first aboriginal singers to make his name in that field. After struggling with alcohol he was sent to gaol where he began writing verse and learning guitar. "Stranger in My Country" comes from his 1973 landmark album The Loner which documented the feelings of many indigenous Australians at that time.

    George Bracken - Turn Me Loose - W&G Records - 1959.
    Before Cassius Clay or Lionel Rose combined boxing with a pop recording career there was George Bracken. George got his start with Jimmy Sharman’s boxing troupe in Queensland and soon moved to Victoria to begin training. He’d always been a social singer and was approached by W&G records to cut a couple of singles in the early 60’s. In the end George had more hits in the ring that on the charts but he was there before anyone else. He later went back to school and dedicated his life to liaising between police and the indigenous community in Redfern, Sydney.

    Warumpi Band - Jalanguru Pakarnu - 1983.
    Probably most famous these days for songs like My Island Home and Blackfella/Whitefella the Warumpi band hold the distinction of being the first band to record a rock song in an indigenous Australian language (Luritja) . Neil Murray was working as a teacher in Papunya in the central desert region of the Northern Territory when he formed the band with brothers Sammy and Gordon Butcher and George Burarrwanga. Initially covering the likes of Chuck Berry they soon began developing their own unique style of outback rock. The song was named after a phrase common with locals on the street and means "out from jail".

    Little Davey Page - Happy Birthday Sweet Sixteen - Atlantic Records - 1975.
    The Page brothers Stephen and David are best known for their groundbreaking stage and theatre work over the last 20 years. However long before finding lasting national fame David was spotted performing in a talent quest and signed with the iconic American label Atlantic Records - the first Australian to do so. He was groomed as Australia’s answer to the young Michael Jackson and released a couple of singles under the name Little Davey Page. Happy Birthday Sweet Sixteen made the top 10 on the Brisbane charts in July 1975 and the follow up We Like Music Together went top 15 early the following year. There were no more after that and Australia had to wait a little before being exposed to David’s talent once again.

    http://www.abc.net.au/local/stories/2011/06/28/3256011.htm?site=canberra

    —Huffduffed by theJBJshow 3 months ago

  8. RareCollections: What was the first Australian Rock ‘n Roll Record? - ABC Canberra - Australian Broadcasting Corporation

    It’s a question that’s been debated for almost as long as the genre itself. Depending on the criteria there are a number of contenders and all have an interesting story. David and Jordie Kilby discuss some of the front runners.

    Rock ‘n Roll captured the imagination of millions of teenagers in the 1950s and its word wide popularity was largely due to the release of Bill Haley and the Comets single Rock Around the Clock in mid 1955 and its subsequent use in the credits for the film Blackboard Jungle.

    Johnny O’Keefe, often recognised as the first true star of Australian Rock music, didn’t enjoy his first hit until mid 1958. During the years in between a number of Australian artists tried their hand at making records for the new dance craze.

    The Schneider Sisters - Washboard Rock ‘n Roll - Magnasound Records - 1956.
    Mary and Rita Schneider has been performing as the Schneider Sisters for several years before recording this track in November 1956 for Bill Armstrong’s Magnasound record label in Melbourne.

    Needing a fourth track for their Rockin’ With The Schneider Sisters E.P they wrote it in an hour the night before the recording session. Several records precede this release but all are cover versions of American rock songs.

    This is the first to be written and recorded by and Australian act.

    Frankie Davidson - Rock A Beatin’ Boogie - Danceland Records - 1956.
    Frankie Davidson was a popular singer in the mid fifties playing many dances around Melbourne at venues like the Ziegfeld Palais. In July 1956 he fronted the Max Bostock danceband and entered the studios to record his take on the Bill Haley song "Rock A Beatin’ Boogie".

    The backing betrays the bands jazz roots but the vocal from Frankie rocks from start to finish. Frankie had heard Bill Haley’s records before cutting this making it the earliest rock record produced in Australia influenced by its American cousins.

    Vic Sabrino - Rock Around The Clock - Pacific Records - August - 1955.
    Vic Sabrino was born George Assang on Thursday Island. He moved to Sydney in the early 50s and began singing with jazz bands. His recording of Rock Around The Clock was probably made in July/August of 1955.

    Given this time frame it would be interesting to know whether or not Vic had heard the Bill Haley version of the song before recording his own, though a quick listen would suggest that perhaps he and the band had only seen the sheet music which was normal for the day.

    Les Welch - Saturday Night Fish Fry - Pacific Records - 1954.
    Les Welch was a very popular jazz pianist and bandleader who began wowing Sydney audiences in the late 1940s. He was very fond of American boogie woogie and jump blues and covered several proto rock records in the early 50s including this Louis Jordan rhythm and blues classic.

    Interestingly enough Welch was also a central figure in the history of Festival Records, who released Bill Haley’s Rock Around The Clock, and was the man responsible for securing the rights to release the song in Australia.

    http://www.abc.net.au/local/stories/2011/03/23/3171744.htm?site=canberra

    —Huffduffed by theJBJshow 3 months ago

  9. Firewall & Iceberg Podcast, episode 167: The Americans, House of Cards, 30 Rock & more

    In the new Firewall & Iceberg Podcast, HitFixs Alan Sepinwall and Dan Fienberg review FXs The Americans, Netflixs House of Cards, NBCs Do No Harm, look back over the run of 30 Rock and discuss the recent finales of Parenthood and Fringe.

    http://www.hitfix.com/whats-alan-watching/firewall-iceberg-podcast-episode-167-the-americans-house-of-cards-30-rock-more

    —Huffduffed by oerst 3 months ago

  10. Roderick on the Line Ep. 62: “Cat Butt Was Real”

    John Roderick and Merlin Mann on why punk rock sucks (not the music, the philosophy).

    http://www.merlinmann.com/roderick/ep-62-cat-butt-was-real.html

    —Huffduffed by robgolbeck 3 months ago

Page 2 of 13