Huffduffed from http://www.prx.org/pieces/85077-gleeful-barbarians/download_audition
Tags / remix
Tagged with “remix”
(122)
-
Gleeful barbarians
-
Everything Is a Remix, so Steal Like an Artist
While many have described the new world of remix culture where “nothing is original,” few have provided practical advice for those of us who find ourselves living and making things in it. Join filmmaker Kirby Ferguson (creator of the video series EVERYTHING IS A REMIX) and artist Austin Kleon (author of NEWSPAPER BLACKOUT and STEAL LIKE AN ARTIST) as they show clips from Kirby’s work and discuss how one best goes about being a creator in the digital age.
-
Marcel Donné: DJ Skitz - In Remembrance | SLAY Radio
One year ago we lost a dear colleague and friend. To mark this, Marcel presents to you a show in remembrance of Paul "DJ Skitz" Hadrill, on the day and time that he used to make us laugh on the Saturday Night Warmup. Join us for a special show that looks back on some of his work, including WIPs that were unfinished.
-
The Remix Economy
Member of the Electronic Frontier Foundation, Cory Doctorow, discussed the history of copyright over the years and the effect it has played on innovation.
-
TELEX #18 – Das Zitat im Zeitalter des Remix!
Die aktuelle TELEX # 18 Sendung beschäftigt sich mit Fragen des Urheberrechts im Bereich der Musikproduktion. Die Redaktion bringt unterschiedliche Positionen, Zugänge, aber auch damit verbundene rechtliche Grundlagen on Air.
Tagged with urheberrecht remix zitat
-
A Contest to Re-Imagine the White House : NPR
An architectural competition calls for proposals to redesign the most famous home in the country, with some amusing results. Most entries were conceptual and political rather than practical.
http://www.npr.org/templates/story/story.php?storyId=91233136
Tagged with architecture npr withe house remix
-
The Miracles Club, Light of Love (The Whendays Ecstasy Remix)
This thumping tech-house offering from Swedish production duo The Whendays is apparently a remix of "Light of Love" by Portland-based house revivalists The Miracles Club (pictured above), though we can’t exactly suss out how. Maybe the ghostly vocal samples that call out from beyond the discordant groove of bass, synth, and percussion loops are cut from singer Honey Owens’ original performance, but beyond that, this sounds like an entirely original track with its own kind of woozy bounce. And it’s pretty damn good, so we’re okay with that.
-
Edited version of the BOWIE2001
Fritz von Runte redesigns classic Bowie tracks and Kubrick’s 2001 and join them together as BOWIE2001.
-
Josh Ritter - The Remnant (Wallpaper Remix, FILTER Exclusive)
-
Digital Sampling and Remix Culture: Creativity or Criminality?
If the term sample reminds you more of a cheese tasting than music making, this video is for you. DJ, music producer and clothing designer Aaron LaCrate walks us through Sampling 101—taking a snippet of a song and repurposing it in another work. LaCrate explains the process but doesn’t sample in his own music — to "clear" a lifted beat for use is complicated, and expensive.
Musicians have always borrowed from others — tunings, vocal styles, distinctive phrasings. But the advent of the sampler in the 80s brought borrowing into the digital age. Today, "sampling," or lifting a snippet of someone else’s work — anything from a horn hit to a drum beat — is mainstream. But how to credit and pay those earlier artists for their contribution is where things get thorny. How much of someone else’s work should artists be able to use? How much should they pay for it? Is copyright law stuck in the age of analog?
Page 1 of 13More