By Lawrence Lessig.
Talk given at Tokyo University October 5, 2009. This is a plea for scientists to be skeptical about presumptions about how IP should regulate it, and a bit about the work (the GREAT work) of Science Commons in this space.
By Lawrence Lessig.
Talk given at Tokyo University October 5, 2009. This is a plea for scientists to be skeptical about presumptions about how IP should regulate it, and a bit about the work (the GREAT work) of Science Commons in this space.
Ralf Christensen joins us this week to discuss his film Good Copy Bad Copy – co-directed with Andreas Johnsen and Henrik Moltke – a documentary debate investigating the opposing views to copyright and how it affects us all as the media we consume becomes ever more accessible.
by Intellectual Property Colloquium Every year, at least one major copyright case brings to the fore the complexity, importance, and unpredictability of fair use analysis. That case this year? Shepard Fairey v. The Associated Press. In this edition of the Intellectual Property Colloquium, we dig into the Fairey fair use fight, talking with Mark Lemley, who represents the artist; Dale Cendali, who represents the AP; and, for some outside perspective, Ken Richieri, Senior Vice President and General Counsel at the New York Times. UCLA law professor Doug Lichtman hosts.
Tagged with intellectual property ip copyright law fair use shepard fairey
http://www.sfu.ca/cstudies/mpprog/sfubmo_levine.htm
Copyrights and patents have come to be called “intellectual property,” a phrase which suggests that they are much akin to ordinary property. They are not: they are a government grant of monopoly power. The argument in favour of intellectual property must then be that these monopolies provide important offsetting incentives for innovation and creation.
However, all the available evidence suggests that patents and copyrights are a failure, and inhibit innovation and creativity at least as much they encourage it.
In this lively and entertaining lecture, Dr. David Levine documents the history of intellectual property, arguing that the best strategy for stimulating creativity in 21st century society is to eliminate copyrights and patents entirely.
SFU/BMO Bank of Montreal Lecture Series
From http://econtalk.org/
Economist Michele Boldrin argues that copyright and patent are used by the politically powerful to create monopoly and that there are surprisingly few examples in history that demonstrate this monopoly was what drove innovation.
James Boyle is professor of law and co-founder of the Centre for the Study of the Public Domain at Duke University and author of The Public Domain: enclosing the commons of the mind.
In his new book The Public Domain, Professor James Boyle describes how our culture, science and economic welfare all depend on the delicate balance between those ideas that are controlled and those that are free, between intellectual property and the public domain —the realm of material that everyone is free to use and share without permission or fee
Intellectual property laws have a significant impact on many important areas of human endeavour, including scientific innovation, digital creativity, cultural access and free speech. And so Boyle argues that, just as every informed citizen needs to know at least something about the environment or civil rights, every citizen in the information age should also have an understanding of intellectual property law.
Is the public domain as vital to knowledge, innovation and culture as the realm of material protected by intellectual property rights? James Boyle thinks so and visits the RSA to call for a new movement to preserve it. If we continue to enclose the “commons of the mind”, Boyle argues, we will all be the poorer.
What is the future for art and ideas in an age when practically anything can be copied, pasted, downloaded, sampled, and re-imagined?
LIVE from the NYPL and WIRED Magazine kick off the Spring 2009 season with a spirited discussion of the emerging remix culture.
Our guides through this new world—who will take us from Jefferson’s Bible to Andre the Giant to Wikipedia—will be Lawrence Lessig, author of Remix, founder of Creative Commons, and one of the leading legal scholars on intellectual property issues in the Internet age; acclaimed street artist Shepard Fairey, whose iconic Obama "HOPE" poster was recently acquired by the National Portrait Gallery; and cultural historian Steven Johnson, whose new book, The Invention of Air, argues that remix culture has deep roots in the Enlightenment and among the American founding fathers.
http://fora.tv/2009/02/26/Remix_Steven_Johnson_Lawrence_Lessig_and_Shepard_Fairey
Documentaries purport to reflect reality, but do they? Laurie discusses the genre from the early stunts of 1930s throught to the impact of YouTube and videoblogs with David Gauntlett and Brian Winston. He also talks to James Boyle about the creeping power of intellectual property, and how it is stifling creativity worldwide.
Tagged with thinking aloud intellectual property
Search Engines: Technology, Society, and Business U. C. Berkeley - Fall 2007
Tagged with search intellectual property eff copyright
Subscribe to a podcast of everything tagged with “intellectual property.”