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Tagged with “cinema”
(32)
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La Órbita de Endor: Indiana Jones
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Offramp interviews Werner Herzog on Roger Ebert’s passing
Tagged with roger ebert werner herzog offramp movies cinema kpcc
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WTF with Marc Maron Podcast - Episode 336 - Todd Solondz
Filmmaker Todd Solondz is used to challenging his audiences. Marc can relate. The two of them talk about the struggle to maintain a career outside of the mainstream and why Todd considers his movies like Happiness and Welcome to the Dollhouse to be comedies. Plus, Todd reveals what movie he most hopes his films resemble. This episode is sponsored by Shari’s Berries. Use the offer code WTF to get a great deal for the holidays.
More info at: http://www.wtfpod.com/podcast/episodes/episode_336_-_todd_solondz
Tagged with marc maron cinema todd solondz wtf
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The Skiffy and Fanty Show - SF’s Golden Age Problem
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The Skiffy and Fanty Show - The Best of All Possible Worlds
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Zero Dark Thirty and the Politics of Torture - The Final Cut - ABC Radio National (Australian Broadcasting Corporation)
Of all the contenders for best picture at this year’s Oscars none has provoked as much controversy as Kathryn Bigelow’s Zero Dark Thirty, a film about the hunt for Osama Bin Laden widely criticized for its depiction of torture. It’s a film I’ve seen twice, and I have to confess, the first time it left me cold. But on second viewing it was a revelation.
http://www.abc.net.au/radionational/programs/finalcut/zero-dark-thirty/4491550
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The 2001 Post | Squaremans
I work with an amazing team of creative people across many disciplines and because it’s video games many of these people are younger than me and one of the things I’ve noticed about people in their 20s right now is that they don’t have all the bullshit cultural baggage that the Baby Boomers and their kids (my generation) carried around. 2001: A Space Odyssey is famous for being impenetrable and a lot of people my age have this “screw that movie” attitude. they resent being challenged, reset the respect the movie gets. Something to do with entitlement, I think.
But the guys I work with, younger guys, their attitude is “that movie was weird, what was going on?” They know something’s going on, they don’t mind saying “I didn’t get it” and they’re curious. I love that. No cultural baggage, no chip on their shoulder. Open curiosity. Intellectual curiosity, artistic curiosity.
One day someone asks me if I’ve seen 2001 and then, when I said I had, they didn’t say “did you like it?” They went straight to “what was that movie about? What was the Monolith? Why did HAL kill that guy?” and as I gave what I thought were my answers, this amazing dialog between me and a bunch of artists opened up and we all came away having noticed things and thought about things we hadn’t before.
So I figured, hey, why not write it all down. But that was boring. What was fun was talking about it. So I decided to do a podcast of sorts. I started by writing, I’m a writer, but after a couple of paragraphs I said “this is stupid.” It lacked the spontaneity of the original conversation so I just turned the mike on and started talking. That was surprisingly easy and this is the result.
Maybe someone will get a kick out of it, maybe someone will take it and do something interesting with it, put their own images to it, whatever. If there’s a positive response, maybe I’ll do more of these!
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Looper with Rian Johnson - The Talk Show - Mule Radio Syndicate
Tagged with looper rian-johnson film movies gruber talkshow john-gruber cinema the-talk-show
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The Cinema of Distraction: the Australian drive-in - Hindsight - ABC Radio National (Australian Broadcasting Corporation)
In February 1954 the first drive-in opened in Australia, in the outer Melbourne suburb of Burwood. Within two years, drive-in cinemas had sprung up in cities and country towns all over the country, as Australians embraced this new form of leisure that combined their twin passions for the cinema and the car. This feature explores the social changes that took place in Australia in the post war decades, which provided the backdrop for the popularity of drive-in cinema, where ‘the comfort lay in all the things you could do’. We also hear from some of the pioneer operators, and from those with memories of visits to the drive-in.
Further Information:
A tribute to Australian Drive-ins (http://www.drive-insdownunder.com.au/)http://www.abc.net.au/radionational/programs/hindsight/drive-ins/4295984
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Stanley Kubrick in 1966 | audiolibre.net
This is surprising and charming. Stanley Kubrick, that most severe of creative forces, is positively playful in this interview with journalist Jeremy Bernstein from 1966. He talks about his college days and his early work as a photographer.
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