The winner of this year’s architecture prize has designed museums, homes and concert halls. But he’s best known for the temporary structures he’s built for refugees and evacuees all over the world.
Tagged with “architecture” (129)
Enterprise Architecture and BPM event for Unicom
P View Part 1
I was rather pleased with this one, better than the earlier Westminster one which formed the basis for this. In particular the strong point about brown field not greed field architecture.
Familiar material at the start - an audience that was new to complexity and hadn’t heard the Children’s Party Story - then the development of material from that. Nothing new in the main but a new assembly
Iain McIntyre talks with Ian Milliss about his involvement with Sydney’s Victoria St squats. During the early 1970s this street in Kings Cross became the focus of a long running anti-development struggle that brought together long term residents, unionists and squatters in a campaign which reignited squatting across the city. The interview, originally broadcast on Community Radio 3CR, discusses the highs and lows of defying thugs, gangsters and the police in defence of a unique community. For more on Victoria St and the history of squatting in general visit www.australianmuseumofsquatting.org
Clients lining up out the doors through marketing an architecture firm – this is Mona Quinn’s situation in Wellington, NZ. Mona is the principal of Callidus Architects
Cartooning was his passion as a kid, and he enrolled in the Royal Danish Academy of Fine Arts School of Architecture to become better at drawing backgrounds. Now, some call Ingels a "starchitect," because his challenging designs are getting built.
Robert Forster,musician, songwriter, music critic for The Monthly and co-founder of the iconic indie rock group, The Go Betweens, is in conversation with Sasha Frere-Jones, the pop critic with The New Yorker at the Melbourne Writers Festival.
This is a prize eavesdrop: Frere-Jones loves Forster and The Go Betweens; Forster has a great openness and nerdiness and they both know a whole heap about music.
This plain boy from Brisbane who didnt even have a girlfriend when he was writing some of his best songs with Grant McLennan and wondering how he could compete with The Velvets Lou Reed, John Cale, Nico, heroin and sado masochism is an absolute treat in his deep brown suit and his long winding tale about meeting the woman of his dreams, actress Lee Remick.
This talk gives an introduction to firmware analysis: It starts with how to retrieve the binary, e.g. get a plain file from manufacturer, extract it from an executable or memory device, or even sniff it out of an update process or internal CPU memory, which can be really tricky. After that it introduces the necessary tools, gives tips on how to detect the processor architecture, and explains some more advanced analysis techniques, including how to figure out the offsets where the firmware is loaded to, and how to start the investigation.
The talk focuses on the different steps to be taken to acquire and analyze the firmware of an embedded device, especially without knowing anything about the processor architecture in use. Frequently datasheets are not available or do not name any details about the used processor or System on Chip (SoC).
First the prerequisites, like knowledge about the device under investigation, the ability to read assembly language, and the tools of the trade for acquisition and analysis, are shown.
The question "How do I get the firmware out of device X?" makes the next big chapter: From easy to hard we pass through the different kinds of storage systems and locations a firmware can be stored to, the different ways the firmware gets transferred onto the device, and which tools we can use to retrieve the firmware from where it resides.
The next step is to analyze the gathered data. Is it compressed in any way? For which of the various different processor architectures out there was it compiled for? Once we successfully figured out the CPU type and we’ve found a matching disassembler, where do we start to analyze the code? Often we have to find out the offset where the firmware is loaded to, to get an easy-to-analyze disassembler output. A technique to identify these offsets will be shown.
The last chapter covers the modifications we can apply to the firmware, and what types of checksum mechanisms are known to be used by the device or the firmware itself to check the integrity of the code.
Day: 2013-12-27 Start time: 12:45 Duration: 01:00 Room: Saal 1 Track: Security & Safety Language: en
How does music speak to the buildings that house it?
Music has always been a conversation with its environment, but from the 15th Century on, the craft became much more deliberate. And acoustic architecture has changed a lot since Dufay and the Gabrielis were composing their choral works for the Basilicas of Italy.
Palaces, cathedrals, concert halls all got the bespoke treatment from composers like Bach and Beethoven. But as we reach the 20th Century and the machine-age, a different sonic logic starts to work. While the tradition was still maintained by people like Benjamin Britten, new minds like Edgard Varèse started to see other parallels between architecture and music. By the time we get to Iannis Xenakis, the architect-turned-composer, the idea of music and structure start to merge.
And today the disciplines of architecture and music are spawning brand new hybrids—architects design music—musicians perform buildings.
So, would you like to live in my song?
Recording Venue: Skype
Guest: Michael Stonebraker
Dr. Michael Stonebraker, one of the leading researchers and technology entrepreneurs in the database space, joins Robert for a discussion of database architecture and the emerging NewSQL family of databases. Dr. Stonebraker opens with his take on how the database market is segmented around a small number of use cases: OLTP, data warehouses, and event stream processing. He discusses the origins of the standard architecture for OLTP, which is row-based, and says it’s no longer optimal for any of the use cases that it is applied to. He proceeds to describe some research he has done, showing that row-based databases spend about 90 percent of their time acquiring and releasing locks, buffer management, and other activities that could be characterized as overhead in comparison to main task of reading and writing data. These results, which in Stonebraker’s view are intrinsic to the row-based architecture, require a new architecture to overcome. The discussion proceeds to a new database architecture, known as “NewSQL” or “NewOLTP,” which is single-threaded, lock-free, doesn’t require disk I/O in the critical path, and can scale out to a large multiple node cluster. Stonebraker criticizes the eventual consistency model that some NoSQL distributed systems employ and he defends the ACID guarantees as a superior model. The interview closes with a discussion about database education in university curricula and Stonebraker’s thoughts on the place of Hadoop in the data storage space.
Michael Stonebraker page at MIT
VoltDB on Meetup
NewSQL topic page on Wikipedia
Other NewSQL projects: NuoDB
SE-Radio #165 on NoSQL
Podcast: Play in new window
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