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Tagged with “music:artist=brian eno” (11) activity chart

  1. Brian Eno: The Long Now (02003-11-14)

    Brian told the origins of his realizations about the "small here" versus the "big here" and the "short now" versus the "long now." He noted that the Big Here is pretty well popularized now, with exotic restaurants everywhere, "world" music, globalization, and routine photos of the whole earth. Instant world news and the internet has led to increased empathy worldwide.

    But empathy in space has not been matched by empathy in time. If anything, empathy for people to come has decreased. We seem trapped in the Short Now. The present generation enjoys the greatest power in history, but it appears to have the shortest vision in history. That combination is lethal.

    Danny Hillis proposed that there’s a bug in our thinking about these matters—-about long-term responsibility. We need to figure out what the bug is and how to fix it. We’re still in an early, fumbling phase of doing that, like the period before the Royal Society in 18th-century England began to figure out science.

    Tim O’Reilly gave an example of the kind of precept that can emerge from taking the longer-term seriously. These days shoppers are often checking out goods (trying on clothes, etc.) in regular retail stores but then going online to buy the same goods at some killer discount price. Convenient for the shopper, terrible for the shops, who are going out of business, hurting communities in the process. The aggregate of lots of local, short-term advantage-taking is large-scale, long-term harm. Hence Tim’s proposed precept, now spreading on the internet: "Buy where you shop." Ie. When you shop online, buy there. When you shop in shops, buy there. Four simple words that serve as a reminder to head off accumulative harm.

    Leighton Read observed that imagining the future is an acquired skill, and comes in stages. An infant can’t imagine the next bottle, or plan for it. A teenager can at most imagine the next six months, and only on a good day; on a rowdy Saturday night, Sunday morning is too remote to grasp. For us adults the distant future is still unimaginable. One thing that Leighton likes about the 10,000-year Clock project is that it lets you imagine a particular part of the very remote future—-the Clock ticking away in its mountain—-and then you can widen your scope from there, to include climate change over centuries, for example.

    Alexander Rose suggested that we should collect examples where a small effort in the present pays off huge in the long term. Tim O’Reilly would like to see us develop a taxonomy of such practices.

    http://longnow.org/seminars/02003/nov/14/the-long-now/

    —Huffduffed by adactio 8 months ago

  2. Brian Eno Interviewed on KPFA’s Ode to Gravity, 1980, Reel 2 (53:36)

    Reel II starts with the history of the recording studio as a compositional tool;" and collaboration with David Byrne on album My Life in the Bush of Ghosts. Eno also talks about and listens to Elvis, The Supremes, Sly Stone, Lee Perry and Jimmy Hendrix. Then he offers some unfinished pieces from his upcoming album with David Byrne.

    http://ubu.com/sound/eno.html

    —Huffduffed by adactio 8 months ago

  3. Brian Eno Interviewed on KPFA’s Ode to Gravity, 1980, Reel 1 (54:30)

    Charles Amirkhanian and Brian Eno discuss Phonetic Poetry, how Brian writes his lyrics, and the spirit of inquisitiveness at KPFA Radio on Saturday February 2, 1980. Listen to some of Brian Enos pieces; After the Heat, Everything Merges With the Night, Another Green World, Spirits Drifting and sections of other pieces. Brian Eno also discusses the artist Peter Schmidt and their work on the Oblique Strategies Cards, being a producer, Process vs Product and looping. Reel I ends with some thoughts on Steve Reich and his music.

    http://ubu.com/sound/eno.html

    —Huffduffed by adactio 8 months ago

  4. SALT - Brian Eno, Stewart Brand, Alex Rose: Long Finance: The Enduring Value Conference

    Brian Eno, Stewart Brand, Alexander Rose2 February 2010 03:30 Long Finance: The Enduring Value Conference

    —Huffduffed by adactio 9 months ago

  5. Alan Moore interviewing Brian Eno

    This is Alan Moore interviewing Brian Eno, again from Radio 4’s Chain Reaction in 2005.

    http://n3ta.com/radio/?p=46

    —Huffduffed by adactio one year ago

  6. Stewart Brand and Brian Eno on The Future of Environmentalism

    Through scientific rigor and blazing advocacy, Brand offers a bold and creative set of policies and solutions for producing a more sustainable society. He is in discussion with Brian Eno, musician and composer, cultural critic and writer who has a long-standing interest and involvement in new thinking about politics and the future.

    —Huffduffed by adactio one year ago

  7. Guest DJ Brian Eno : NPR

    In advance of his new album Drums Between the Bells, the influential artist and producer shares some of his favorite new and old music.

    http://www.npr.org/2011/05/31/136723328/guest-dj-brian-eno

    —Huffduffed by adactio one year ago

  8. Brian Eno: Improvising Within The Rules

    When Brian Eno works his musical magic, his presence is unmistakable. You may not know of his long solo career or remember his flamboyant debut as the synthesizer stylist in the early days of Roxy Music. But if you’re a rock fan, you’ve certainly heard his studio wizardry as one of pop music’s most sought-after producers.

    —Huffduffed by adactio 2 years ago

  9. The Long Now Foundation: Long-Term Thinking for the Next 10,000 Years

    Brian Eno, Stewart Brand and Alexander Rose discuss the origins and goals of the Long Now Foundation. This was recorded in collaboration with Gresham College, in London, U.K., on February 1, 2010.

    Long Finance is an initiative begun in 2007 to establish a World Centre Of Thinking On Long-Term Finance. The initiative began with a question — ­"When would we know our financial system is working?" — which challenges a system that can’t provide today’s 20-year-olds with a reliable financial retirement structure. The aim of the Long Finance Institute is "to improve society’s understanding and use of finance over the long-term."

    The research project proposals range from theory versus practice or fiscal versus monetary to sustainability versus robustness. The iconic project for Long Finance is the Eternal Coin, with the objective of starting a global debate about society’s values over the long-term.

    This is the second event that Gresham College has co-hosted, where learning from the sister Long Now organization and its 10,000 Year Clock Project.

    Stewart Brand is a co-founder and managing director of Global Business Network, founded and runs the GBN Book Club, and is the president of The Long Now Foundation. Brand has been a member of the Board of Trustees of the Santa Fe Institute, an interdisciplinary center studying the sciences of complexity, since 01989. He was a founding member of the Board of Directors of the Electronic Frontier Foundation, an organization which supports civil rights and responsibilities in electronic media, and is an acting adviser to Ecotrust, Portland-based preservers of temperate rain forest from Alaska to San Francisco.

    Brian Eno is a musician, composer and producer of audio and visual landscapes. Eno’s synthesizer work and electronic manipulation of audio textures was first featured during the early 1970’s as a founding member of Roxy Music. His solo and collaborative musical compositions with John Cale, Robert Fripp and David Bowie have been in circulation world-wide over the last 25 years.

    Alexander Rose is the director of the Long Now Foundation, where he has facilitated projects such as the 10,000 Year Clock with Danny Hillis, the Rosetta Project, Long Bets, Seminars About Long Term Thinking, Long Server and others. Rose shares several design patents on the 10,000 Year Clock with Danny Hillis, the first prototype of which is in the Science Museum of London.

    —Huffduffed by adactio 3 years ago

  10. Interview with Brian Eno, curator of the 2010 Brighton Festival

    Brian Eno, curator of the 2010 Brighton Festival, talks to me about art’s role in creating an alternative future, the joys of curating a major arts festival, and why people in Moulsecoomb might just appreciate Afrobeat.

    Recorded at the 2010 Festival launch at Brighton Dome.

    —Huffduffed by adactio 3 years ago

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