Listen to Stranger Than Fiction No. 1 with Tim Wu and Neal Stephenson by clicking the arrow on the audio player below: Subscribe in iTunes ∙ RSS feed ∙ Download ∙ Play in another tab Welcome to Stranger Than Fiction, a new six-episode podcast from Slate, the New America Foundation,…
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Tagged with “fiction”
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Neal Stephenson joins us for the first Stranger Than Fiction podcast. - Slate Magazine
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Margaret Atwood on Stranger Than Fiction
In the third episode, Wu talks to Margaret Atwood, author of science-flavored dystopian fiction like Oryx and Crake and The Year of the Flood. In 2012, she published In Other Worlds: SF and the Human Imagination, in which she explored science fiction as an author and as a reader.
Tagged with sci-fi science fiction writing book:author=margaret atwood
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William Gibson at The New York Public Library
William Gibson is the author of ten books, including, most recently, the New York Times-bestselling trilogy Zero History, Spook Country and Pattern Recognition. Gibson’s 1984 debut novel, Neuromancer, was the first novel to win the three top science fiction prizes—the Hugo Award, the Nebula Award, and the Philip K. Dick Memorial Award. Gibson is credited with coining the term “cyberspace” in his short story “Burning Chrome,” and with popularizing the concept of the Internet while it was still largely unknown. He is also a co-author of the novel The Difference Engine, written with Bruce Sterling.
Tagged with nypl reading sci-fi science fiction book:author=william gibson
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Knights of the Rainbow Table Part 2
Here’s part two of my reading of my story-in-progress, Knights of the Rainbow Table, a story commissioned by Intel’s Chief Futurist, Brian David Johnson. Brian oversees Intel’s Tomorrow project, which uses science fiction to spark conversations about product design and use among Intel’s engineers, and he was kind enough to invite me to write a story of my choosing for the project. Intel gets first dibs on putting it online, but that’s it — I retain full creative control and the right to re-use it as I see fit.
Huffduffed from http://craphound.com/?p=3472
Tagged with audiobook cory doctorow sci-fi fiction
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Where Do Science Fiction and Science Fact Meet?
I’m having dinner with Brian tonight, so doing some research while I walk the dogs.
What kind of future do you want to live in? What excites or concerns you about the future? Intel Futurist Brian David Johnson poses these questions as part of The Tomorrow Project, an initiative to investigate not only the future of computing but also the broader implications on our lives and the planet. Science and technology have progressed to the point where what we build is only constrained by the limits of our own imaginations. The future is not a fixed point in front of us that we are all hurtling helplessly towards. The future is built everyday by the actions of people. The Tomorrow Project engages in ongoing discussions with superstars, science fiction authors and scientists to get their visions for the world that’s coming and the world they’d like to build.
The future is Brian David Johnson’s business. As a futurist at Intel Corporation his charter is to develop an actionable vision for computing in 2020. His work is called “future casting” – using ethnographic field studies, technology research, trend data and even science fiction to provide Intel with a pragmatic vision of consumers and computing. Along with reinventing TV, Johnson has been pioneering development in artificial intelligence, robotics, and using science fiction as a design tool. He speaks and writes extensively about future technologies in articles and scientific papers as well as science fiction short stories and novels (Fake Plastic Love, Nebulous Mechanisms: The Dr. Simon Egerton Stories and the forthcoming This Is Planet Earth). He has directed two feature films and is an illustrator and commissioned painter.
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Sci-Fi Meets Love In Carruth’s ‘Upstream Color’
Film writer, director, producer, actor Shane Carruth burst on the independent film scene in 2004, grabbing the Grand Jury Prize at Sundance with his mind-bending sci-fi drama “Primer,” beating out hot titles like “Napoleon Dynamite” and “Garden State.”
Carruth is almost one-of-a-kind these days. A film poet. A cinema shaman.
In his new film he puts, as one headline has it, “the trance in Transcendentalist.” Thoreau’s “Walden,” strange orchids, mind-control larva, and love — all in one entrancing movie.
Tagged with shane carruth film movie upstream color science fiction future poetry thoreau primer
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Selected Shorts: Dreams and Schemes (with Stephen Colbert and Leonard Nimoy)
Dreams and Schemes
Guest host Guest host Neil Gaiman introduces two American classics. In Ray Bradbury’s futuristic “The Veldt,” a virtual reality nursery turns on its owners. The reader is Stephen Colbert. In James Thurber’s “The Catbird Seat,” a mild-mannered employee plots revenge. Leonard Nimoy performs.
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Richard Ford reads ‘The Student’s Wife’ by Raymond Carver
"The Student’s Wife" is from Raymond Carver’s first story collection, Will You Please Be Quiet, Please, published in America in 1976. You could say it’s from Ray’s "early period" – written possibly as early as the late 60s, when he was one side or the other of 30 years old. Its verbal resources are spare, direct, rarely polysyllabic, restrained, intense, never melodramatic, and real-sounding while being obviously literary in intent. (You always know, pleasurably, that you’re reading a made short story.) These affecting qualities led some dunderheads to call his stories "minimalist", which they are most assuredly not, inasmuch as they’re full-to-the-brim with the stuff of human intimacy, of longing, of barely unearthable humour, of exquisite nuance, of pathos, of unlooked-for dread, and often of love – expressed in words and gestures not frequently associated with love. More than they are minimal, they are replete with the renewings and the fresh awarenesses we go to great literature to find. When they were first published in Britain by Collins Harvill, they made a great sensation that quickly spread all over the world, and made Ray (who was lovable, anyway) adored as the great story writer of his generation. Which he was. And is.
http://www.guardian.co.uk/books/audio/2012/dec/23/richard-ford-raymond-carver-wife
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Nadine Gordimer reads ‘The Centaur’ by José Saramago
It is in many ways a unique story. Here is a creature imagined, something that is higher and better and different from a man. Here is the dream of a creature that is half horse, half man, who has the physical fitness of a horse and the mental complexity of a man. This extraordinary fable shows the depths of the human confusion that the creature faces. It is a wonderful way of looking into the conflict between what one’s body desires or dictates – sexual desire as part of our power; it’s through sexual desire that you take possession, after all – and many of one’s other ideals about how we ought to approach another being. There’s as much in this little story as in 20 novels and 20 poems.
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The work of Warren Ellis
Iyare Igiehon (BBC 6music) discusses the work of Warren Ellis with Matt Jones (BERG design), Matthew Sheret (We are words pictures) and Kieron Gillen (X-Men). Jones talks about SVK, the new comic by Ellis and D’Israeli, commissioned by BERG, Sheret discusses how Ellis inspired him to become a writer and Gillen talks about his friendship with the writer and their Marvel collaborations.
http://sci-fi-london.com/podcast/2012/04/323-work-warren-ellis
Tagged with sci-fi science fiction comics book:author=warren ellis
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