mashup remix improv meditation of mike crain’s “wandering”
http://www.alt-classical.com/2009/12/21/bruce-hamilton-wandermix/
pbailey
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paul bailey
i’m a performer/composer/teacher that explores the broken-consort, open score and modular improvisational ideals. i’m also the leader and founder of the paulbaileyensemble (PBE). i also run the website alt-classical.com; a site that features curated independent DIY art music.
you can also find my music at www.paulbailey.us
There are no people in pbailey’s collective.
Huffduffed
(12)
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Bruce Hamilton -Wandermix
Tagged with improv post-minimal post-whatever remix
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Samuel Vriezen: 20 Worlds (2005)
Two pianists journey together through a circular universe of twenty possible worlds. The worlds appear and disappear one by one, echoed between the two piano parts, and up to four of them may be present at the same time in a gradually shifting multi-cultural mosaic of musical worlds.In this piece, just as in the 5 extremely short “possible world” pieces I wrote in 2003, a ‘world’ is identified by a typical basic motivic gesture. Each ‘world’ varies on its basic gesture according to its own laws. These twenty worlds (Possible Worlds nr. 6-25?) are then intertwined to appear in eighty numbered sections. The eighty sections are arranged in a circular way: section 1 can follow section 80. The odd sections are only played by pianist I. Pianist II plays the even sections. Taken together, the odd and the even sections make use of the same material. 20 Worlds is dedicated to Dante Oei. If not for the many conversations we’ve had about Cage, Xenakis, Sibelius, etc. and his wonderful insights and intuitions about music, a piece like this would have been unlikely. Samuel Vriezen Amsterdam, October 19, 2005http://www.alt-classical.com/2009/12/21/samuel-vriezen-20-worlds-2005/
Tagged with chance indetermenacy piano improv
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Dave Seidel: Nur
“This is my first SuperCollider (SC) piece. Having just put out a CD-R release, the result of three years or so of working with Csound, it seemed like a good time to try something new. Another excuse for experimentation was provided by an invitation to participate in the first show in the Unique States series. As I prepared for this event, I ported my Csound Risset harmonic arpeggio instrument to SC and started playing around with it in real time (something which is much easier to do in SC than in Csound). This piece is what emerged. I performed it for the first time at the Unique States event at BUOY in Kittery, Maine on Friday, January 9, 2009. [snip]
If you listen to this on speakers (as opposed to headphones), please turn it up — the sound should fill the room.”
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Mike Crain: Wandering
written for the weekly online music event ImprovFriday, October 16th-17th 2009
www.mikecrain.com via Shane Cadman
Tagged with ambient improv percussion post-minimal
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Steve Layton: “Charlotte, Too Soon” (2006)
(Music source: samples from old answering machine tape treated and arranged in ACID) — Voices of relatives and friends of cellist / performance artist Charlotte Moorman (1933-1991), from one of her old answering machine tapes (mid-late 1970s?). All other sounds as well are derived from noises on the same tape.” via niwo.com
Tagged with electroacoustic electronic remix sound art spoken word
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David Toub: this piece intentionally left blank (2006)
“This came about as an improvisation, and is virtually unchanged other than a few minor tweaks. It was composed using an Ensoniq KS-32 synthesizer providing input into Reason 3.0.4. The score is a pretty close approximation of what was improvised, but is not 100% accurate. It can be performed by any keyboard, although it could also be performed for any group of instruments. I felt the bass line would be very interesting if played by a bass guitar, for example. This work is dedicated to my friend Kel Smith. It was premiered on May 9th, 2007 by the Diverse Instrument Ensemble under Lloyd Rogers at Cal State Fullerton in an arrangement by Paul Bailey for oboe, alto sax, french horn, trombone, bass guitar and two vibraphones.”
Tagged with post-minimalist scratch orchestra
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Jon Brenner: Trap Doors and Open Windows
written, performed and mixed by jon brenner.
Released by: klomp music
Tagged with electronic modular improv post-whatever
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Lloyd Rodgers: The Black Book (04.01.01)
“the black book-a private music consists of 374 compositions, exercises, and epigrams written, usually one a day from 12.28.00 to 12.27.01., notated in ink with no edits; a year long musical journal”
Tagged with modular improv post-minimal
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Scoma: Voice III night
“The audio piece centers on the thought of the integration of human voice in sonic context. Right now a series called „voices“ is work in progress, reflecting the ways of interaction between music/sonic textures and derivatives of the human voice.”
Tagged with contemporary electroacoustic night piano quiet sonic texture spoken word vocal
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ALONE TOGETHER: MUSIC DADA (bara no kodoku)
I wonder what Nancarrow would think? Piano glitch collage track that always makes me smile (especially the ending!)
Tagged with broken piano glitch collage post-whatever
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