In the third episode, Wu talks to Margaret Atwood, author of science-flavored dystopian fiction like Oryx and Crake and The Year of the Flood. In 2012, she published In Other Worlds: SF and the Human Imagination, in which she explored science fiction as an author and as a reader.
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Tagged with “sci-fi”
(14)
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Margaret Atwood on Stranger Than Fiction
Tagged with sci-fi science fiction writing book:author=margaret atwood
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William Gibson at The New York Public Library
William Gibson is the author of ten books, including, most recently, the New York Times-bestselling trilogy Zero History, Spook Country and Pattern Recognition. Gibson’s 1984 debut novel, Neuromancer, was the first novel to win the three top science fiction prizes—the Hugo Award, the Nebula Award, and the Philip K. Dick Memorial Award. Gibson is credited with coining the term “cyberspace” in his short story “Burning Chrome,” and with popularizing the concept of the Internet while it was still largely unknown. He is also a co-author of the novel The Difference Engine, written with Bruce Sterling.
Tagged with nypl reading sci-fi science fiction book:author=william gibson
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The Verge Book Club 001 - ‘Ubik’
Join Joshua Topolsky, Laura June and special guest Lev Grossman as they discuss Philip K. Dick’s classic novel
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Back To The Future With ‘Total Recall’ Remake : NPR
Kenneth Turan reviews the film Total Recall, based on a story by Philip K. Dick and a remake of another film from the 1990, starring Arnold Schwarzenegger.
http://www.npr.org/2012/08/03/157958963/back-to-the-future-with-total-recall-remake
Tagged with npr sci-fi science fiction film:title=total recall
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Why William Gibson Distrusts Aging Futurists’ Nostalgia | Underwire | Wired.com
Few things seem more pathetic than a science fiction writer who pines for the “good old days.” Just a whiff of that sort of crippling nostalgia sets off a red alert in the crackling mind of William Gibson, the novelist who coined the term “cyberspace” and is known for his piercing insights into what the future might look like.
http://www.wired.com/underwire/2012/02/william-gibson-geeks-guide/all/1
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Arthur C. Clarke, Alvin Toffler, and Margaret Mead on Man’s Future
What does the future look like from the past? This exciting program with three people that could not better represent the intelligentsia of futurism circa 1970. This recording is from a radio program called “Sound on Film”, a series on films and the people who make them. This episode is entitled “2001–Science Fiction or Man’s Future?” Recorded May 7th, 1970. Joseph Gelman is the moderator.
At the time of this recording Arthur C. Clarke had recently collaborated on the movie 2001: A Space Odyssey with Stanley Kubrick. Alvin Toffler’s mega-influential book, Future Shock, is about to be published. And Margaret Mead is the world’s foremost cultural anthropologist.
An intriguing conversation that still has relevance today.
2001–Science Fiction or Man’s Future?
Length–54:18
http://www.sfoha.org/arthur-c-clarke-alvin-toffler-and-margaret-mead-on-mans-future/
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Best Sci-Fi Flims, w/ A.O. Scott, Annalee Newitz
"Inception" has put sci-fi back in the movies, with mixed reviews. We look at the best science fiction films of all time. With guests A.O. Scott, chief film critic for the New York Times, and Annalee Newitz, critif for io9.com.
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The Fork: Science Fiction versus Mundane Culture
Neal Stephenson delivers a talk on Science Fiction as a Genre at Gresham College. Four professors discuss the origins of science fiction, its overlap with other genres and its developments over more than a century.
Tagged with book:author=neal stephenson science fiction sci-fi writing
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There Is No “There” There
This article was written for Scroll magazine number two, on the theme of “place”, where it appeared in edited form as “Disrupting the Conceptual Metaphors of the Web”:
http://scrollmagazine.com/number-2/conceptual-metaphors
We’ve developed an array of metaphors for talking about the intangible spaces of the web. Maybe it’s time to unshackle ourselves from some of them.
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Make It So: Learning From SciFi Interfaces by Nathan Shedroff and Chris Noessel
Make It So explores how science fiction and interface design relate to each other. The authors have developed a model that traces lines of influence between the two, and use this as a scaffold to investigate how the depiction of technologies evolve over time, how fictional interfaces influence those in the real world, and what lessons interface designers can learn through this process. This investigation of science fiction television shows and movies has yielded practical lessons that apply to online, social, mobile, and other media interfaces.
http://2009.dconstruct.org/schedule/nathanshedroff/
Nathan Shedroff is the chair of the ground-breaking MBA in Design Strategy at California College of the Arts (CCA) in San Francisco, CA. This program melds the unique principles that design offers business strategy with a vision of the future of business as sustainable, meaningful, and truly innovative — as well as profitable.
http://2009.dconstruct.org/schedule/chrisnoessel/
Chris Noessel is an interaction designer and self-described “nomothete” (ask him directly about that one.) In his day job as a consultant with Cooper, he designs products, services, and strategy for a variety of domains, including health, financial, and software.
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