The East Wing is a podcast brought to you by Tim Smith, that talks with industry experts about design, solving problems and the keys to creating products with value.
This is a great episode. Jason Santa Maria is an amazingly smart guy and comes on the show to talk about how his beginnings in design, nostalgia, the importance of type on the web and his new book coming out later this year.
More than twenty years ago, Jonathan Hoefler made it his mission to promote desktop publishing (and shush its critics) by providing designers with a new generation of fonts: attractive and useful designs which set a new standard in quality and dependability, and are today known as the H&FJ library. Today, as webfonts are buoyed by a wave of early-adopter enthusiasm, they’re marred by a similar unevenness in quality, and it’s not just a matter of browsers and rasterizers, or the eternal shortage of good fonts and preponderance of bad ones. There are compelling questions about what it means to be fitted to the technology, how foundries can offer designers an expressive medium (and readers a rich one), and what it means for typography to be visually, mechanically, and culturally appropriate to the web. Join Jonathan Hoefler on an exploration of this side of webfonts, and a discussion of where the needs of designers meet the needs of readers. You’ll get a glimpse of what H&FJ has in store, and see why they believe that webfonts promise so much more than just ‘fonts on the web.’
Tagged with ampersand conference typography fonts type design
Paul Shaw, an award-winning graphic designer, typographer, calligrapher, and teacher at Parsons School of Design and the School of Visual Arts, tells the story of how New York City’s subway signage evolved from a "visual mess" to a uniform system using the Helvetica typeface. His illustrated book Helvetica and the New York City Subway System looks at how politics, economics, and bureaucratic forces shaped decisions made about the subway’s appearance as much as design ideas did. http://www.wnyc.org/shows/lopate/2011/aug/04/helvetica-and-new-york-city-subway-system/
Audio from the New York Web Fonts Roundtable
Tagged with fonts typekit webtype typography web design
Dan Benjamin and Jeffrey Zeldman are joined by Richard Rutter, co-founder of Fontdeck and Clearleft, to discuss typography on the web and more.
The future of web typography is as uncertain as any other aspect of the medium, but one thing is for sure: it’s got momentum. At no other time has typography been taken so seriously by so many involved in the web, and that means there’s an awful lot of change and innovation to keep up with if you want to stay on the cutting edge of online type. In as much depth as 60 minutes will allow, this presentation will cover recent proposals and additions to CSS 3, from ligatures to hyphenation, synthesis to capitalisation, and much in between. It will cover the reasoning behind the new aspects of CSS 3, and reintroduce older properties which only now are becoming implemented and useful (and thus browser support will not be ignored either). No session on web typography would be complete without discussion of webfonts. There is still much learn in this field, both in what CSS can provide, and the technical implementation within browsers. But web typography is not just about CSS, or even good type setting. The bit that touches us most closely is the medium through which most of us read: text rendering and screens, and this presentation will discuss and demonstrate the cutting edge of both. Web typography is a hugely exciting part of web design, and the field that is moving most quickly. This presentation will give you everything you need to know to keep right on the spur of the serif, the apex of the ascender, and the edge of the curve.
Now that web designers suddenly face the challenge (and delight) of choosing fonts from an ever-growing selection, we thought it’s a good time to recommend some basic principles for making wise type choices.
http://typographica.org/2011/on-typography/intro-to-typeface-selection/
Grid systems have been used in print design, architecture and interior design for generations. Now, on the web, the same rules of grid system composition and usage no longer apply. Content is viewed in many ways; from RSS feeds to email. Content is viewed on many devices; from mobile phones to laptops. Users can manipulate the browser, they can remove content, resize the canvas, resize the typefaces. A designer is no longer in control of this presentation. So where do grid systems fit in to all that?
http://www.webdirections.org/resources/mark-boulton-designing-grid-systems/
Our first cast, with guest Jon Tan. Paul talks to Jon about Analog, type, fonts, and how they’re changing on the web.
Bumper music is Computer by State Shirt, which is available under a CC license.
From http://piqueweb.net/
Tagged with pique web typography fonts jon tan twitter:user=jontangerine
For almost 15 years, Web designers have had a list of 10 "Core Web fonts" to choose from. Many ask, "Why can’t I just download a font file from my Web server the same way I can an image?" Well, actually, you can. The verbiage for font linking is a little different than images, but the syntax for Webfont linking has been around for over 10 years as a part of the CSS standard. Web typography expert Jason Cranford Teague shows you how to apply the principles of fluid typography, to choose, find and use Webfonts and create your unique typographic voice. Come and find out why 2010 is going to be the year of Web typography.
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