Open source projects, in particular, have long skimped on presentation and packaging (basically, they are the equivalent of "she has a great personality!" in the world of blind dating). This talk is on how designer (graphic, UI & UX, all deft ninjas of the visual and editorial) organize and contribute their visual hacks to open source projects, working in tandem with engineers. Specifically, we’ll look at how designers can get involved with Mozilla’s Creative Collective, as well as how developers can leverage some of lessons learned by Mozilla’s workflow and community-organizing techniques to foster their own design communities and inspire individuals to contribute to other open source projects of all sizes. People who have contributed to or are working on an open source project, do so in an effort to create and distribute free software (free as in “free speech” v. free as in “drinks on me tonight!”*). This is a great opportunity to get involved with a team and movement (or start your own) that making a better and more awesome internet. As a bonus, contributing to open source is also a great way to enhance your portfolio, discover the brightest people, and create career-inspiring opportunities for yourself and your peers.
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The big players in social networking are setting a plodding pace of innovation. New startups, keen to offer useful and exciting new means of communication, have migrated wholesale to platform-based approaches. Constrained by what it means to be boxed into 140 characters or Facebook’s vision of a lifestream, we’re left without a compelling view of what "social" means on the web. It’s time to take back our identities, and with it the web. We’ll discuss examples of how the web is more Awesome when people are a part of it (and not just a layer on top of a few companies’ databases). We’ll talk about what kinds of approaches make sense in this new world (and which don’t), and discuss some successes (and failures) that have happened along the way. Parts of this discussion will be technical; you can’t build the web without some HTML, and we can’t build a social web without getting our hands dirty. However, tech is boring. You can always look up how to do something - knowing why you want to do something is the hard part. We’re going to look beyond the modern gold rush, and talk about ideas that have lasting value for content providers, producers, and consumers, and why you should care.
Bill Clem speaking at Mars Hill Church, part two of the series "It’s all about Jesus"
In a new book, Professor Michael Eric Dyson explains how he described Barack Obama’s attitude toward African-American identity during the 2008 election. "[W]hat I’ve noticed is that he’s proud of his race, but that doesn’t capture the range of his identity. He’s rooted in, but not restricted by, his blackness." A new book, "Who’s Afraid of Post-Blackness?", examines that concept, and the complicated identity of the 40 million African-Americans in the U.S. today.
The book’s author, Touré, fiction writer, music critic, and correspondent for MSNBC, defines "post-blackness" and gives examples of it in modern America.