Vincent explains why he created Comic Sans and why it’s what design is all about. While working at Microsoft he created ‘web fonts’ for the first Internet Explorer. He will discuss the goals and challenges in creating these fonts and creating fonts for user interfaces and small devices like e-books and mobile phones. Hinting, font technology and screen rendering will be discussed. Now that modern devices are rendering very high resolutions is hinting no longer necessary?
Tagged with “typography”
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Vincent Connare: From the Dark Side… Speak to Me
Tagged with ampersand conference typography design type fonts vincent connare ampersand2011
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Helvetica and the New York City Subway System
Paul Shaw, an award-winning graphic designer, typographer, calligrapher, and teacher at Parsons School of Design and the School of Visual Arts, tells the story of how New York City’s subway signage evolved from a "visual mess" to a uniform system using the Helvetica typeface. His illustrated book Helvetica and the New York City Subway System looks at how politics, economics, and bureaucratic forces shaped decisions made about the subway’s appearance as much as design ideas did. http://www.wnyc.org/shows/lopate/2011/aug/04/helvetica-and-new-york-city-subway-system/
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Ampersand conference: Jonathan Hoefler on Putting the ‘Fonts’ into Webfonts
More than twenty years ago, Jonathan Hoefler made it his mission to promote desktop publishing (and shush its critics) by providing designers with a new generation of fonts: attractive and useful designs which set a new standard in quality and dependability, and are today known as the H&FJ library. Today, as webfonts are buoyed by a wave of early-adopter enthusiasm, they’re marred by a similar unevenness in quality, and it’s not just a matter of browsers and rasterizers, or the eternal shortage of good fonts and preponderance of bad ones. There are compelling questions about what it means to be fitted to the technology, how foundries can offer designers an expressive medium (and readers a rich one), and what it means for typography to be visually, mechanically, and culturally appropriate to the web. Join Jonathan Hoefler on an exploration of this side of webfonts, and a discussion of where the needs of designers meet the needs of readers. You’ll get a glimpse of what H
Tagged with ampersand conference typography fonts type design