In Part 3 of our FilmAid broadcast, Damon Lindelof joins us to discuss his thoughts on internet fandom, the response to Prometheus, the logic of time travel, and taking chances with the Star Trek franchise.
Tagged with “science fiction” (177)
In the third episode, Wu talks to Margaret Atwood, author of science-flavored dystopian fiction like Oryx and Crake and The Year of the Flood. In 2012, she published In Other Worlds: SF and the Human Imagination, in which she explored science fiction as an author and as a reader.
Science fiction author Charles Stross http://www.antipope.org/charlie/ is most known for his near-future lovecraft-inspired "Laundry-Files" series, the near-future and more IT centric "Halting State" series as well as his far-future "Saturns Children" android book series - not to forget his science-fiction / fantasy "Merchant Princess" books and other numerous publications.
When he attended DortCon http://www.dortcon.de/ (in Dortmund, Germany, hence its name) this year, he of course was the natural prey for us - so I asked for an interview. How does he manage those multiple universes, how does he cope with the special problems of looking into the near future…
Futures is Nature’s weekly science fiction slot. Adam Rutherford reads you his favourite from this month, Survivors and Saviours, by Philip T. Starks.
William Gibson is the author of ten books, including, most recently, the New York Times-bestselling trilogy Zero History, Spook Country and Pattern Recognition. Gibson’s 1984 debut novel, Neuromancer, was the first novel to win the three top science fiction prizes—the Hugo Award, the Nebula Award, and the Philip K. Dick Memorial Award. Gibson is credited with coining the term “cyberspace” in his short story “Burning Chrome,” and with popularizing the concept of the Internet while it was still largely unknown. He is also a co-author of the novel The Difference Engine, written with Bruce Sterling.
Film writer, director, producer, actor Shane Carruth burst on the independent film scene in 2004, grabbing the Grand Jury Prize at Sundance with his mind-bending sci-fi drama “Primer,” beating out hot titles like “Napoleon Dynamite” and “Garden State.”
Carruth is almost one-of-a-kind these days. A film poet. A cinema shaman.
In his new film he puts, as one headline has it, “the trance in Transcendentalist.” Thoreau’s “Walden,” strange orchids, mind-control larva, and love — all in one entrancing movie.
Characters on Star Trek suffer frequent misadventures on the holodeck, a room that creates advanced holograms indistinguishable from reality. But now theoretical physicists such as Brian Greene, host of the recent PBS special The Fabric of the Cosmos, are starting to wonder if every object in the universe isn’t some sort of hologram. Greene talks physics and science fiction in this week’s episode of the Geek’s Guide to the Galaxy podcast.
If anyone tries to tell you that science fiction isn’t literary, please point them to the work of Charles Yu. His debut novel, How to Live Safely in a Science Fictional Universe, used the conventions of sci-fi to tell the deeply emotional story of a time-travel technician searching for his missing father.
His latest genre-bending effort is Sorry Please Thank You, a short-story collection in which people outsource their bad days and zombies go on dates.
In this episode of the Storyboard podcast, Yu talks to Wired senior editor Adam Rogers about making metaphors literal, how sci-fi tropes let him explore the inner lives of his characters, and his particular brand of futuristic ennui.
In his debut novel The Windup Girl, science fiction writer Paolo Bacigalupi explored a world ravaged by climate change and energy scarcity — and won both the Hugo and the Nebula awards while he was at it.
Though his dystopian future might not seem like the best place for kids, he followed up with two books for young adults: Ship Breaker and The Drowned Cities. Set in the same universe as The Windup Girl, they are gripping adventure tales about kids doing what it takes to survive in a world where the odds are always stacked against them.
In this episode of the Storyboard podcast, Bacigalupi talks to Wired senior editor Adam Rogers about the appeal of YA fiction, life in the “Accelerated Age” and writing political novels that don’t feel like polemics. There is a brief moment of mature language.
In his new novel 2312, legendary science fiction author Kim Stanley Robinson focuses on outer space and humans’ place in it.
As you probably guessed from the title, the story is set three centuries in the future. It hinges on “the idea that the solar system is our neighborhood, and could be inhabited,” Robinson tells Wired Senior Editor Adam Rogers in this episode of the Storyboard podcast.
In the book, which hits stores May 22, humans live not just on other planets, but also in miniature biomes in hollowed-out asteroids. Robinson’s oeuvre includes the Hugo-winning Mars trilogy and the global warming-focused Forty Signs of Rain. In the podcast, he talks about time travel, trips to Antarctica and the future of humanity.
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