Mariella Frostrup speaks to Nobel laureate Nadine Gordimer about her collected short fiction; author Tom Holland discusses the legacy of I, Claudius; writers Ian McMillan, Tessa Hadley and Andrew Martin explain the enduring allure of railways in fiction.
The two Scottish sci-fi authors at Aye Write! 2008.
From http://www.theincomparable.com/2010/11/11-to-be-continued.html Three Hugo winners enter our Book Club. “Spin” by Robert Charles Wilson, “Hyperion” by Dan Simmons, and “The Yiddish Policeman’s Union” by Michael Chabon. Also: Why sequels suck. The Incomparable Participants: Jason Snell, Glenn Fleishman, Dan Moren, Scott McNulty, and Greg Knauss. The Incomparable Theme Song composed by Christopher Breen.
Updated on Thursday evening, November 11, to fix a strange empty spot and add an explanation about what “work me like a ham” means. But you have to listen to the end. And re-download if you missed it.
Spoiler Horn Data
Please note that this episode contains spoilers for the three books mentioned above. The AAC version of the podcast has been demarcated with chapter breaks so you can skip some (or, heck, all!) of the spoilers for those books. Presumably so you can come back later after you’ve read the books, right?
Robert Harris talks to Claire Armitstead about Lustrum, the second novel in his Cicero trilogy - and explains why he dedicated the book to Peter Mandelson. Plus, our studio panel discusses Eoin Colfer’s revisiting of Douglas Adams’s Hitchiker’s series, and the art of the book editor