Kurt Andersen interviews James Cameron about Avatar and other things. Including Cameron’s favorite movie, The Wizard of Oz.
Studio 360: Bonus Track: James Cameron Uncut
Also huffduffed as…
-
Studio 360: Bonus Track: James Cameron Uncut
-
Studio 360: Bonus Track: James Cameron Uncut
-
Studio 360: Bonus Track: James Cameron Uncut
-
Studio 360: Bonus Track: James Cameron Uncut
-
Studio 360: Bonus Track: James Cameron Uncut
-
Studio 360: Bonus Track: James Cameron Uncut
-
Studio 360: Bonus Track: James Cameron Uncut
-
Studio 360: Bonus Track: James Cameron Uncut
-
Studio 360: Bonus Track: James Cameron Uncut on Huffduffer
-
Studio 360: Bonus Track: James Cameron Uncut
-
Studio 360: Bonus Track: James Cameron Uncut
-
Studio 360: Bonus Track: James Cameron Uncut
-
Studio 360: Bonus Track: James Cameron Uncut
-
Studio 360: Bonus Track: James Cameron Uncut
Possibly related…
-
James Cameron WGA interview on screenwriting and Avatar
Last month, after a screening of Avatar at the Writers Guild Theater for WGA members, James Cameron spoke with F. X. Feeney about his writing process throughout his career and in the creation of Avatar. I know a lot of people like to make the easy jokes, and write off Avatar for having an over-simplistic plot, but for anyone who really wants to delve deeper — you should really find time to listen to this one hour and ten minute interview/question & answer session.
Tagged with james cameron avatar movies film writing screenwriting
-
The /Filmcast Interview: Rebecca Keegan, Author of The Futurist: The Life and Films of James Cameron
In this episode, David Chen speaks with writer Rebecca Keegan about the struggles and triumphs of James Cameron, the future of 3-D, and the success of Avatar. Rebecca Keegan’s newest book, The Futurist: The Life and Films of James Cameron, is out on bookshelves now. From http://slashfilm.com/filmcast/?p=215
Tagged with avatar film cinema 3d innovation books futurism james cameron
-
A. O. Scott With Charlie Kaufman
A. O. Scott speaks with the screenwriter Charlie Kaufman, who makes his directorial debut with “Synecdoche, New York.”
