dConstruct / tags / publishing

Tagged with “publishing” (6) activity chart

  1. The Save Button Ruined Everything: Backing Up Our Digital Heritage

    Jason Scott is a man on a mission — save all the things.

    But what does “save” mean in the modern world, in the waterfall of personal and private data, and where do we even begin? Turning on the history-o-matic, Jason provides a backdrop to our attempts to “save”, what has been done, and what we can do. The talk will be fast-paced and loud, like a hard drive at the end of its life.

    http://2012.dconstruct.org/conference/scott/

    Jason Scott is a force of nature, tirelessly dedicated to preserving our digital history, from old-school game manuals to the latest social networking sites hell-bent on sucking our collective culture into “the cloud.”

    He is also a documentary film maker. He made BBS: The Documentary and Get Lamp, all about text adventure games.

    In the run-up to the destruction of Geocities, Jason set up Archive Team, a collective of volunteers who back up first and ask questions later. He now works for the Internet Archive, though he is at pains to point out that he does not speak for them.

    And yet, despite all his achievements, Jason will probably never be as well-known as his cat Sockington, who has over a million followers on Twitter.

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    —Huffduffed by dConstruct 8 months ago

  2. The Remix Economy

    Member of the Electronic Frontier Foundation, Cory Doctorow, discussed the history of copyright over the years and the effect it has played on innovation.

    http://2005.dconstruct.org/

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    —Huffduffed by dConstruct one year ago

  3. Oh God, It’s Full of Stars

    The relationship between digital and physical products is larger than if it exists on a hard drive or a shelf. It’s the tension between access and ownership, searching and finding, sharing and collecting. It’s a dance between the visible and the invisible, and what happens when we’re forced to remember versus when we are allowed to forget. How does this affect us—not just as makers, but as consumers of these products? Does collecting things matter if we don’t revisit them? We may download, bookmark, tag, organize, and star, but what then?

    A digital Zen master would say that if everything is starred, nothing is. We’ve optimized the system for getting things in, but how do we get something good out? How can we make meaningful connections between all of this stuff, and make constellations out of all these stars?

    http://2011.dconstruct.org/conference/frank-chimero

    Frank Chimero is a graphic designer and illustrator. He makes pictures about words and words about pictures. His fascination with the creative process, curiosity, and visual experience informs all of his work. Each piece is part of an exploration in finding wit, surprise, and joy in the world around us, then, trying to document those things with all deliberate speed.

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    —Huffduffed by dConstruct one year ago

  4. What Is the Shape of the Future Book?

    We will always debate: the quality of the paper, the pixel density of the display; the cloth used on covers, the interface for highlighting; location by page, location by paragraph.

    This is not what matters. Surface is secondary.

    What are the core systems comprising the future book? What are the tools that need to be built?

    As designers we will need to provide the scaffolding for these systems. The interfaces for these tools. Not just as surface, but holistically—understanding the shifting of emotional space, the import of the artifact, the evocation of a souvenir, digitally.

    How will we surface the myriad data just below the words of digital books in organic, clean and deliberately designed ways? How will we shape the future book?

    http://2011.dconstruct.org/conference/craig-mod

    Craig Mod is a writer, designer and publisher concerned with the future of books, publishing, and storytelling. He lives in a tiny Bay Area village in the California full of dreamers, endless yogurt, and trees that let loose money when shaken just so. His writing appears mainly on his website, but has also appeared in the New Scientist, The New York Times, and A List Apart. He works as a designer for Flipboard.

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    —Huffduffed by dConstruct one year ago

  5. The Value Of Ruins

    Between The Alexandrian War of 48 BCE and the Muslim conquest of 642 CE, the Library of Alexandria, containing a million scrolls and tens of thousands of individual works was completely destroyed, its contents scattered and lost. An appreciable percentage of all human knowledge to that point in history was erased. Yet in his novella “The Congress”, Jorge Luis Borges wrote that “every few centuries, it’s necessary to burn the Library of Alexandria”.

    In his session James will ask if, as we build ourselves new structures of knowledge and certainty, as we design our future, should we be concerned with the value of our ruins?

    http://2010.dconstruct.org/speakers/james-bridle

    With a background in both computing and traditional publishing James Bridle attempts to bridge the gaps between technology and literature. He runs Bookkake, a small independent publisher and writes about books and the publishing industry at booktwo.org. In 2009 he helped launch Enhanced Editions, the first e-reading application with integrated audiobooks.

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    —Huffduffed by dConstruct 2 years ago

  6. Materialising and Dematerialising A Web of Data. (Or What We’ve Learned From Printing The Internet Out)

    What’s happening now is that the web of data wants to escape the screen, it wants to materialise into the real world, it wants to get physical, become objects. And that the next exciting stuff is going to be about designing data that can live on the screen, in devices, on paper, as things, wherever.

    So that’s what I’m hoping to talk about. About getting a little post-digital, about analogue friction, about printing to large industrial infrastructures, about unproducts and letter-boxes and rabbits. And there’ll be jokes and silly videos too.

    http://2009.dconstruct.org/schedule/russelldavies/

    Russell was born in Derby, enjoyed an uneventful childhood, did college, all that. After failing as a popstar and a joke writer he ended up in advertising and tried to do ‘interactive marketing’ way before anyone was interested. Ended up at Wieden Kennedy working on clients like Microsoft, Nike and Honda. Then he went to work for Nike as Global Consumer Planning Director.

    He went freelance in 2006 and works with shadowy organisations like the Open Intelligence Agency and the Really Interesting Group. He also writes eggbaconchipsandbeans occasionally organises ‘Interesting’ conferences, plays with things like speechification, dawdlr and slowpoke and does columns for Campaign magazine and Wired UK.

    If asked what he actually does all day, he’ll normally mutter something about ‘post-digital’.

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    —Huffduffed by dConstruct 3 years ago