Recorded at Webstock 2009
Tagged with “culture” (10)
"This is a talk I did at Rutgers earlier this month. I kinda like it, but for a weird reason. Something something, perfect storm of technology Ragnarok, and yadda yadda, I had to start the talk 20 minutes late with no slides. Nothing.
So, I riffed.
And, I ended up talking about a lot of the new stuff you can expect to see in the Inbox Zero book—work culture, managing expectations, the 3 deadly qualities of email, and one surprising reason email’s not as much fun as Project Runway.
Some people liked it. I think. I liked it. I hope you do, too."
At Zappos.com, Tony Hsieh has fostered a culture where extraordinary customer service is the norm. Hear him talk about how good deeds can help you leverage the power of your audience to massively extend your brand.
Tony Hsieh, Zappos.com
For many in the U.S., life without a cellphone is all but unimaginable. But if you think you’ve maxed out its utility, a look towards Japan shows your cell can do so much more. OTM producer Mark Phillips phones it in from Tokyo.
Have you ever played around with a gadget or application, only to discover it’s absolutely perfect for something different from its original design? This kind of inventiveness, or playfulness, happens all the time in our digital environment, but it signals a major shift in the relationship between the inventor or designer and the user.
Nora interviewed Clay Shirky about just that earlier this week. Clay is a big thinker on internet and culture, and he has a lot to say about how users shape the tools they use and how designers should respond to this new “interaction loop.”
Remix: Making Art and Commerce Thrive in the Hybrid Economy by Lawrence Lessig, Shepard Fairey and Steven Johnson
What is the future for art and ideas in an age when practically anything can be copied, pasted, downloaded, sampled, and re-imagined?
LIVE from the NYPL and WIRED Magazine kick off the Spring 2009 season with a spirited discussion of the emerging remix culture. Our guides through this new world—who will take us from Jefferson’s Bible to André the Giant to Wikipedia—will be Lawrence Lessig, author of Remix, founder of Creative Commons, and one of the leading legal scholars on intellectual property issues in the Internet age; acclaimed street artist Shepard Fairey, whose iconic Obama "HOPE" poster was recently acquired by the National Portrait Gallery; and cultural historian Steven Johnson, whose new book, The Invention of Air, argues that remix culture has deep roots in the Enlightenment and among the American founding fathers.
As part of their sci-fi season, BBC Radio 4 present a dramatisation by Paul Cornell of the short story The State of the Art by Iain M. Banks.
A spaceship from The Culture arrives on Earth in 1977 and finds a planet obsessed with alien concepts like ‘property’ and ‘money’ and on the edge of self destruction. When Agent Dervley Linter decides to go native can Diziet Sma change his mind?
With vintage Russian black humor, Orlov described the social collapse he witnessed in Russia in the 1990s and spelled out its practical lessons for the American social collapse he sees as inevitable. The American economy in the 1990s described itself as “Goldilocks”—just the right size—when in fact is was “Tinkerbelle,” and one day the clapping stops. As in Russia, the US made itself vulnerable to the decline of crude oil, a trade deficit, military over-reach, and financial over-reach.
Russians were able to muddle through the collapse by finding ways to manage 1) food, 2) shelter, 3) transportation, and 4) security.
By way of readiness, Orlov urges all to prepare for life without a job, with near-zero burn rate. It takes practice to learn how to be poor well. Those who are already poor have an advantage.
March 26 2007 - Author Kevin Kelly talks about the role of technology in our lives, the future of the web, how to time travel, the wisdom of the hive, the economics of reputation, the convergence of the biological and the mechanical, and his impact on the movies The Matrix and Minority Report.