Special guest Jim Coudal joins John Gruber to discuss Stanley Kubrick’s “2001: A Space Odyssey”, The Deck network and the state of online advertising, and the just-completed Webstock conference in Wellington, New Zealand.
Tagged with “film:title=2001” (5)
I work with an amazing team of creative people across many disciplines and because it’s video games many of these people are younger than me and one of the things I’ve noticed about people in their 20s right now is that they don’t have all the bullshit cultural baggage that the Baby Boomers and their kids (my generation) carried around. 2001: A Space Odyssey is famous for being impenetrable and a lot of people my age have this “screw that movie” attitude. they resent being challenged, reset the respect the movie gets. Something to do with entitlement, I think.
But the guys I work with, younger guys, their attitude is “that movie was weird, what was going on?” They know something’s going on, they don’t mind saying “I didn’t get it” and they’re curious. I love that. No cultural baggage, no chip on their shoulder. Open curiosity. Intellectual curiosity, artistic curiosity.
One day someone asks me if I’ve seen 2001 and then, when I said I had, they didn’t say “did you like it?” They went straight to “what was that movie about? What was the Monolith? Why did HAL kill that guy?” and as I gave what I thought were my answers, this amazing dialog between me and a bunch of artists opened up and we all came away having noticed things and thought about things we hadn’t before.
So I figured, hey, why not write it all down. But that was boring. What was fun was talking about it. So I decided to do a podcast of sorts. I started by writing, I’m a writer, but after a couple of paragraphs I said “this is stupid.” It lacked the spontaneity of the original conversation so I just turned the mike on and started talking. That was surprisingly easy and this is the result.
Maybe someone will get a kick out of it, maybe someone will take it and do something interesting with it, put their own images to it, whatever. If there’s a positive response, maybe I’ll do more of these!
Fritz von Runte redesigns classic Bowie tracks and Kubrick’s 2001 and join them together as BOWIE2001.
Brilliant visual effects master Douglas Trumbull got his start at a young age working on Stanley Kubrick’s 2001: A Space Odyssey. Although he was only in his early 20s during production of 2001, his contribution of figuring out a way to film the now-famous "Stargate Sequence" changed the special effects industry drastically and made films like Star Wars possible (Trumbull himself was asked to work on Star Wars but turned it down due to other projects at the time).
After 2001 wrapped, Trumbull went on to direct his own films, including Silent Running (1972) and Brainstrom (1983), as well as working on the visual effects for The Andromeda Strain (1971), Close Encounters of the Third Kind (1977), Star Trek: The Motion Picture (1979), and Blade Runner (1982). He also designed the Back to the Future Ride at Universal Studios during the 80s, and has been a leader in creating special effects technology.
What does the future look like from the past? This exciting program with three people that could not better represent the intelligentsia of futurism circa 1970. This recording is from a radio program called “Sound on Film”, a series on films and the people who make them. This episode is entitled “2001–Science Fiction or Man’s Future?” Recorded May 7th, 1970. Joseph Gelman is the moderator.
At the time of this recording Arthur C. Clarke had recently collaborated on the movie 2001: A Space Odyssey with Stanley Kubrick. Alvin Toffler’s mega-influential book, Future Shock, is about to be published. And Margaret Mead is the world’s foremost cultural anthropologist.
An intriguing conversation that still has relevance today.
2001–Science Fiction or Man’s Future?