Playing the famous half-Vulcan requires a little meditative depth and a lot of brow-shaving. Heroes villain Zachary Quinto plays Spock in the reboot of the Star Trek franchise, with the blessing of original Spock Leonard Nimoy. Quinto tells NPR about befriending Nimoy, shaping eyebrows and more.
http://www.npr.org/2013/05/17/184829512/quinto-turns-inward-to-find-spocks-soul
The 12th film based on Gene Roddenberry’s ’60s sci-fi TV show is the second to star a new group of actors as Kirk, Spock and their crew. J.J. Abrams returns as director, and Sherlock star Benedict Cumberbatch plays the memorable villain.
http://www.npr.org/2013/05/16/184485990/into-darkness-boldly-and-with-a-few-twists
The legendary Hollywood FX man died Tuesday at age 92. Known for creating the monsters in such films as Mighty Joe Young and Jason and the Argonauts, Harryhausen spoke with Fresh Air in 2003 about studying animals in nature to create the monsters of our imaginations.
http://www.npr.org/2013/05/09/181947528/remembering-monster-maker-ray-harryhausen
Tagged with npr film special effects ray harryhausen
In a talk he titled "Persistence of Vision: Reading the Language of Cinema," the famed director spoke passionately about the history of cinema and the films that stoked his love for the medium.
http://www.npr.org/2013/05/07/181692145/scorsese-talks-the-language-of-cinema
Tagged with npr cinema film:director=martin scorsese
While Anna’s away in Amsterdam, Andy talks with designer Laura Kalbag about Star Trek Into Darkness, how they name wifi networks and whether location really affects their businesses. They discuss about how to find good sub-contractors and the differences between working for clients direct or via third-parties.
Tagged with unfinished business web design film:title=star trek
In Part 3 of our FilmAid broadcast, Damon Lindelof joins us to discuss his thoughts on internet fandom, the response to Prometheus, the logic of time travel, and taking chances with the Star Trek franchise.
Film writer, director, producer, actor Shane Carruth burst on the independent film scene in 2004, grabbing the Grand Jury Prize at Sundance with his mind-bending sci-fi drama “Primer,” beating out hot titles like “Napoleon Dynamite” and “Garden State.”
Carruth is almost one-of-a-kind these days. A film poet. A cinema shaman.
In his new film he puts, as one headline has it, “the trance in Transcendentalist.” Thoreau’s “Walden,” strange orchids, mind-control larva, and love — all in one entrancing movie.
Special guest Jim Coudal joins John Gruber to discuss Stanley Kubrick’s “2001: A Space Odyssey”, The Deck network and the state of online advertising, and the just-completed Webstock conference in Wellington, New Zealand.
Andy Clarke and Anna Debenham discuss why a show about business is important and why one needn’t be boring. They talk about this week’s CES and whether designers and developers might need to buy these new devices. And of course, Andy talks about Planet Of The Apes while Anna nods politely.
I work with an amazing team of creative people across many disciplines and because it’s video games many of these people are younger than me and one of the things I’ve noticed about people in their 20s right now is that they don’t have all the bullshit cultural baggage that the Baby Boomers and their kids (my generation) carried around. 2001: A Space Odyssey is famous for being impenetrable and a lot of people my age have this “screw that movie” attitude. they resent being challenged, reset the respect the movie gets. Something to do with entitlement, I think.
But the guys I work with, younger guys, their attitude is “that movie was weird, what was going on?” They know something’s going on, they don’t mind saying “I didn’t get it” and they’re curious. I love that. No cultural baggage, no chip on their shoulder. Open curiosity. Intellectual curiosity, artistic curiosity.
One day someone asks me if I’ve seen 2001 and then, when I said I had, they didn’t say “did you like it?” They went straight to “what was that movie about? What was the Monolith? Why did HAL kill that guy?” and as I gave what I thought were my answers, this amazing dialog between me and a bunch of artists opened up and we all came away having noticed things and thought about things we hadn’t before.
So I figured, hey, why not write it all down. But that was boring. What was fun was talking about it. So I decided to do a podcast of sorts. I started by writing, I’m a writer, but after a couple of paragraphs I said “this is stupid.” It lacked the spontaneity of the original conversation so I just turned the mike on and started talking. That was surprisingly easy and this is the result.
Maybe someone will get a kick out of it, maybe someone will take it and do something interesting with it, put their own images to it, whatever. If there’s a positive response, maybe I’ll do more of these!
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