Stanley Kubrick Interviewed by Jeremy Bernstein, 1966.
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Stanley Kubrick Interview, 1966
Tagged with kubrick film director film:director=stanley kubrick
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Tank Riot: Stanley Kubrick
Tagged with stanley kubrick film film:director=stanley kubrick
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Tank Riot: Nietzsche and Watchmen
http://www.tankriot.com/2009/069/
Nietzsche and Watchmen! We discuss Friedrich Nietzsche (1844-1900) and his contribution to modern philosophy and look into how he is commonly misunderstood. We also analyze Zack Snyder’s brilliant adaptation of Alan Moore and Dave Gibbons’ Watchmen.
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Watchmen Film Podcast
http://daily.greencine.com/archives/007371.html
Has summer blockbuster season really started in March? Not really, but you might think otherwise given how much attention (marketing, merchandising, etc.) has been given to director Zack Snyder’s mega-expensive, mega-long adaptation of Alan Moore and Dave Gibbons’ Watchmen—their seminal ’80s graphic novel that deconstructed the mythos and morality of the comic-book superhero, along with the language of cinema and the great American novel itself.
My dear friends and fellow film bloggers Glenn Kenny and Andrew Grant sat down with me at a Brooklyn bar/restaurant to "pubcast" our thoughts on the film. One of us decries "avant-garde masterpiece," one of us liked it so-so, and one of us thought it was tedious, but you’ll just have to hear for yourself.
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Heavy on the Clockwork Orange Please
For the follow-up to Sepultura’s 2006 release Dante XXI, a concept album based on Dante Alighieri’s “The Divine Comedy,” the band has concocted a new concept record about the Anthony Burgess novel and Stanley Kubrick film “A Clockwork Orange.” The disc, A-Lex (out January 27), is Sepultura’s first album not to feature co-founder Igor Cavalera, and marks the studio debut of new drummer Jean Dolabella. It was recorded in Sao Paulo, Brazil at Trama studios and was mixed at Mega Studios.
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Gary Hustwit and Doug Pray
A conversation between SXSW Film Festival veterans Gary Hustwit (Helvetica, 2007) and Doug Pray (Big Rig, 2007). This year’s festival sees the world premiere of Gary’s latest film, Objectified, a documentary that aims to do for industrial design what Helvetica did for the humble typeface. Meanwhile, Doug’s film, Art & Copy prepares to take the Sundance Documentary Competition by storm with a detailed look at the weird and wonderful world of advertising.
The two discuss the common ground between their latest films, including the art in the everyday, the genius of ‘Got Milk?’, and the strangeness and power of sitting in the dark and staring at a screen.
From: http://sxsw.com/node/832