A decade ago, on the other side of two wars, an economic meltdown, and mass unemployment, economist Richard Florida made a big splash asserting the economic power and glory of what he dubbed the “creative class.”
A new social class, he said, of writers and dancers and artists, innovators in science and medicine, technology and media.Freelancers and free thinkers whose open minds were reshaping the world and firing up a lot of wealth. Suddenly, every ambitious city and town wanted to be a creative class magnet.
Ten years on, how’s that all going?
