Clampants / collective / tags / sxsw10
Tagged with “sxsw10”
(9)
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Selling Your Milk When the Cow is Free: Open Source
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8 ways to deal with bastards
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Simple Steps to Great Web Design with Matthew Smith
Creating beautiful web design is largely a matter of mastering a handful of simple techniques. The best designs employ systems of color, contrast, typography, and white space to achieve hierarchy, balance, and rhythm. The rest is just ingenuity and creativity. Matthew will review dozens of great and nearly great sites, explaining…
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Understanding Content: The Stuff We Design For
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What Are Analytics? A Guide To Practical Data
Tagged with sxsw10 analytics for:gunniho social media
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Ewan Spence interviews Marshall Kirkpatrick
Interview with Marshall Kirkpatrick from Read Write Web.
Tagged with sxsw sxsw10 sxsw2010 sxswi sxswi2010 marshallkirkpatrick rww readwriteweb interview
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PayTV vs. Internet - The Battle For Your TV with Mark Cuban (HD Net/Dallas mavericks) & Avner Ronen (Boxee)
Two high-profile industry mavericks narrate the battle for your living room. The first thinks that Internet is the future of entertainment, video included. The second thinks Cable/Satellite will always deliver a better video experience and that Internet video will remain a small niche.
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Get Stoked on Web Typography by Samantha Warren
Typography can make or break a design, but there are big differences between what makes jaw-dropping type offline from what makes great type online? In this presentation, Samantha will evaluate interesting offline lettering and discuss how you can translate those principles and leverage CSS3, @font-face, and new font-as-service web apps to create engaging online typographic experiences.
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Jaron Lanier at South by Southwest 2010
Jaron Lanier is a computer scientist, composer, visual artist, and author.
In his new book You Are Not a Gadget: A Manifesto, he discusses what he believes to be the biggest problem on the web today: intellectual piracy.
Initially, Lanier was one of the early digital leaders that praised the possibilities of the Internet and was optimistic about its uses for musicians, artists, scientists, and developers. He has since come to the realization that the intellectual collective that the Internet has fostered may have come at the expense of individual creativity.
Lanier’s new book is a manifesto against "open culture" in which he posits a new theory against hive mentality. He argues the Internet has produced a new social contract in which the work of creatives has become public domain, the property of the majority.
