The Times of London called Raymond Carver the "Chekhov of Middle America." Carver’s tremendous influence on subsequent writers and the short story form is legendary. We discuss his life and work with Carol Sklenicka, author of the new biography, "Raymond Carver: A Writer’s Life."
http://feedproxy.google.com/~r/kqedforum/~3/HCs0WA76zAo/R912071000
David Means reads Raymond Carver’s "Chef’s House."
"The Student’s Wife" is from Raymond Carver’s first story collection, Will You Please Be Quiet, Please, published in America in 1976. You could say it’s from Ray’s "early period" – written possibly as early as the late 60s, when he was one side or the other of 30 years old. Its verbal resources are spare, direct, rarely polysyllabic, restrained, intense, never melodramatic, and real-sounding while being obviously literary in intent. (You always know, pleasurably, that you’re reading a made short story.) These affecting qualities led some dunderheads to call his stories "minimalist", which they are most assuredly not, inasmuch as they’re full-to-the-brim with the stuff of human intimacy, of longing, of barely unearthable humour, of exquisite nuance, of pathos, of unlooked-for dread, and often of love – expressed in words and gestures not frequently associated with love. More than they are minimal, they are replete with the renewings and the fresh awarenesses we go to great literature to find. When they were first published in Britain by Collins Harvill, they made a great sensation that quickly spread all over the world, and made Ray (who was lovable, anyway) adored as the great story writer of his generation. Which he was. And is.
http://www.guardian.co.uk/books/audio/2012/dec/23/richard-ford-raymond-carver-wife
"The Sixth Shotgun" is Leo Carver’s story, and if the town of Canyon Gap has anything to say in the matter, it’s going to be a very short tale indeed, as Leo has been convicted of murdering two men and faces death by hanging.